So moved by this Tanya, thank you for sharing it. I think one of my most intense and valuable bonding experiences has been with Northumberland. I’ve tried to explain a little more about it here:
My tale is one of connection with land, with sand and soil. It is a tale of immersion in water that burns me, in salt and seaweed. And it is a tale of inhaling the sky and breathing out fear.
For years I struggled with a strong sense of claustrophobia that I was somehow experiencing in the middle of nowhere. I missed the soot in my nostrils and grease on my face from packed tube trains. There was an anonymity in the city that could be lonely, but somehow I fitted in, wore the grime as a second skin. But moving into the wilderness, naively expecting the good life, was a different kind of isolation. There were visceral reminders that I was still alive: puckered lips around my breast, tiny nails jabbing my ribs under the duvet and gritty eyes staring with an exhaustion that has perhaps never really shifted. My sense of self was all wrapped up in many babies, and the rest of it was lost to a man who no longer lies next to me.
I would walk the Northumbrian beaches with the youngest strapped closely to my chest, a small girl in each hand and the oldest running ahead on legs that effortlessly pounded the waves as they rolled towards us. We were a tribe. Whilst the children might have felt an innocent freedom on that sand, I was bending down and clutching pieces of sea glass like talismans, desperately trying to find myself amongst the bladderwrack. I began to fill jars with smoky blue shards, rubbed smooth by the tides, translucent milk drops and bottle green nuggets that glowed in my kitchen.
After a long time, I could no longer smell the city on my body. My lips were being kissed only by sea spray, but I could lick them and recall myself in an instant. I started to lean in to the rhythm of the waves, listen to the curlew’s call hanging on the breeze, enjoy the sharp shells under my toes. I have exhaled this air so often, cried so many tears that the sand is soaked, my own salt mingling with the sea. Now I am not sure where the wilderness ends and I begin.
Caro, this is such a tangible piece of writing from you. I will add it with great pleasure to the main book site on Saturday once my book is with editor again & will let you know on here the link to it. Your book is going to be beautiful. X
Your words are now up on the book site Caro, and I've linked to your author site on your name. Here is the link. Thank you so much for taking part, and hope that some of the themes remaining before publication day interest you to try too... Tan x https://thecureforsleep.com/the-cure-for-sleep-may/#CaroFentiman
Thank you so much for sharing this, Caro. I’ve been thinking about it a lot and the bones of my own bonding story with a landscape and place are taking form. It’s likely I never would have framed my experience in such a way had you not offered this up for us all. Cheers!
I love this Caro! You have provoked so many memories of how I have had to work hard to try and bond with Australia after emigrating many moons ago from the UK. It has been a struggle indeed and there are still days after all these years when I feel that I still haven't quite managed it, but I am getting there.
I'm a bit late in responding here, but I love this extract, and how trepidatious it made me feel while reading it. Because of how measured your steps were in preparing for this meeting of mother and son, your own fear etc comes through. What do you do when it doesn't happen like all the books and magazines and experts say? You go back to the very Beginning...stripped bare, no one else to interfere, echoing Wordsworth: "THIS is the forest primeval..." My own tale on bonding includes sound as well, in the sharing of music. I should note that while I was writing this brief sketch my curiosity propelled me to Google. Arthur, the gentleman mentioned here, passed away in 2013 at the age of 77. I discovered his all too brief obituary online. But I also discovered a photo of him on the website of the agency he received support services from, and in the photo, he is smiling--one arm held close to his body, the fingers of his other hand having just made sound from a guitar laid held across his lap by a staff person. Maybe I was the first to try and develop a true connection with him, but it's good to know that I was not the last and perhaps had a hand in changing in his life for the better.
****
ARTHUR
He sat alone, one arm across his body while the fingers of his other hand tapped a rhythm on the hand held flush to his chest. He often strained to one side of the chair, pulling at the chest and groin restraints, legs stretched out and ridged, punctuated with a guttural yell of displeasure? pain? He wore a sweatshirt and sweatpants stained from lunch, and white tube socks. He mashed and gummed his tongue: tardive dyskinesia, a side effect of antipsychotics I’d later learn. I didn’t question his aloneness or the restraints because I was too young and new to the work. It took a year and various personnel changes before I attempted my own relationship with Arthur.
Each night I wheeled him into the dining room and I sat at the table writing my end of shift notes. As I wrote, I talked to him: It’s my turn to make dinner tomorrow night for everyone, Arthur. What should I make? Would you like to help me? I did this for months, writing and chatting to him and occasionally spooning him butterscotch pudding with his evening medications. Then I started playing music I brought from home—new age piano, Enya, Beatles, classical—even though it wasn’t clear how much he could hear. The right side of his face was perpetually red and his ear deformed, the cartilage mottled and bumpy, cauliflower ear it’s called—a result of him slapping the side of his face and ear.
One night I pressed play for an Irish/Norwegian duo called A Secret Garden, violin and piano. Arthur stopped tapping his fingers, slowly leaned his body closer to the stereo. I wrote and watched him. When I finished writing and began to move away he grabbed my hand. He brought it to his red and mottled ear, and he tilted his head resting it on my hand. We stayed like that for minutes, music filling the space around us. He could hear enough to appreciate music, or at least feel it. And we had made a connection.
Amy! I'm so sorry I missed the notification of this until now. What a moving relationship, so beautifully written. Thank you for it. I've added it now, with pleasure, to the story archive and your link is as follows. https://thecureforsleep.com/the-cure-for-sleep-may/#AmyMillios
Absolutely no apologies needed. I added it rather late and quietly. It’s wonderful thing, this sharing…I’m finding that I’m inspired by your stories and the others shared here as well, so the effect is exponential.
She used to link her parents’ hands after their quarrels. Her dad’s - dry and cold; and her mother’s - fleshy and limp. Their fingers momentarily connected. Later they’d resume talking - bills, prices, ailments, her school reports. She would feel safe.
Fifty years on they still don’t talk much. They walk every day to the corner shop wrapped in their own bubbles of thought. The mother chooses their food and the father pays and carries it home. At home they wait silently. When she calls, they would talk, just long enough for the feeling of safety to return.
She didn’t call me by my name, my mother’s big sister, my Auntie. I was just the baby, an intruder. I learnt a lot from Auntie, at an early age, I learnt that I was the object of jealousy and hatred, and I learned hatred and jealousy in return. I learnt that adults could lie and be believed whilst a small child’s truth was punished.
My Aunt had grey eyes. “Like the pavements”, I said once, swiftly rebuked for my unkindness. Small acts of meanness went unseen by my parents. The removal of my teddy, that miraculously re-appeared when the rest of my family returned, the whispered pin pricks of critical words.
As I grew older, Auntie accepted me. Maybe even grew to love me in her own way, but the damage was done. I had no love for her and no trust in her smiles. We moved away and I learnt about guilt. Poor Auntie left alone with no one. She followed. Each holiday, appearing on the doorstep for another indefinite and seemingly endless visit.
I grew up and with the passing of time, my mother, Auntie’s beloved little sister, died. I did my duty to my aunt with phone calls and weekend visits.
She tried. Breakfast in bed and specially cooked vegetarian food. Hours passed slowly, watching the comings and goings of the neighbours through the immaculate net curtains.
Dementia came next, and a nursing home.
My final visit saw Auntie sitting forlornly by her bed, her long grey hair released from its tight bun, flowing softly onto her shoulders. Her dignity compromised by the pile of adult nappies on the table.
As I kissed her goodbye, I felt something. More than pity, more than forgiveness. Maybe, too late, it was love?
Oh my. This second piece from you that I’ve read today has equal and opposite energy to your gentle piece about your kindly grandfather. There is something so shocking, so violent, about even the most sly and unseen unkindnesses and worse that adults inflict on children - and you choose details here which carry that shock and meanness so well - words as pinpricks. And the childish hiding of the teddy which, when done by an adult, becomes far more sinister. Then there is the surprise and the poignancy of your last three lines. I’m not sure I could have found that in myself, but admire you for it. It’s a fine and thought-provoking piece for the bonding theme. Thank you.
Thank you again Tanya, I am finding how powerful writing can be when reflecting on the past, better than any therapy, Somehow writing these short pieces bring the past alive but from a new perspective. Having written about it I can then let it go,
Already I am learning so much from your project and your words.
It’s the same for me. I feel almost posthumous in these two years since the book came out… but in a good way. A happy ghost, I tell people, when they ask what I’m doing now/next. Just enjoying being afloat in life having let go of all the old grudges and tethers!
Late to the party again, but I've been reading back through these all these lovely prompts and re-reading your beautiful book again Tanya and these invitations to write have provided such a beautiful focus for me recently... thank you again so much. Aside from connecting with my children, the bonding experiences that really stand out for me are those connected to the multiple moves that I have made during my life. In the past two decades, I've moved from Cornwall to London, to Berlin, back to London, then Cornwall, then to Portugal and most recently back to Cornwall. With each move I feel like there has been an effort to bond and connect with each place, even the places where there is muscle memory for me, there has still been a effort to reconnect and find myself again in that place, each move has brought with it a myriad of new experiences for which I am hugely grateful, but very often I have felt I've have been trying to catch up with myself and reorientate and recalibrate in each new environment... Key to settling has been meeting some truly magical people and making some wonderful friends.
I could have written so much more beyond the 300 words and think I will continue following the thread offline. In this piece, it's about arriving in Lisbon and having to start anew again:
I find myself on the periphery.
The veil of belonging glimmers, gently covering all those who surround me. It teases me with its glittery warmth as I stand awkwardly, unaccustomed to this new place and poorly-dressed for this warmer climate. I pull at my long sleeves, self-conscious of my very British outline and pale, freckled complexion.
The looks of recognition, nods of the heads, embraces with arms wide open and easy, comforting familiarity fills the school entrance. But I remain on the edge, unable to speak the language, unable to read the social cues and unprepared. Wanting so desperately for the sake of the children to find some way in, hoping some crack would open up just enough to accommodate my shadowy self.
Yet this feeling is not new. As I linger on the sidelines, I wonder how many times I have stood on the outside. How many times I have tried hard to catch an eye, exchange a smile or simply say hello in an unfamiliar setting. The multiple moves that have seen us trapeze across the UK, Germany and Portugal have worn away my confidence. Early motherhood has added its own patina to my being. I feel naked and exposed in this new setting. The beautiful warm weather is at odds with the loneliness that has followed me here from Cornwall.
The passage of time is a mother, embracing me and holding my hand. It's not long till the warmth begins to touch my edges, the unfamiliar routes become more familiar and the light slowly creeps in. As I stand at the school gates one morning, a kind voice whispers in my ear as I, ‘You’re looking as lost as I feel.’ and so the start of a friendship is born.
Lucy... what a poignant piece this is and full of sensory detail that really has me see and feel (for) you back there, then. And then the beauty of the surprise and beauty of this sentence towards the end: 'The passage of time is a mother...' Followed by the surprise and beauty of that simple human gesture which found you (almost exactly what happened to my late mother when she had to start a new life in a new town at 78, having never lived alone. Another woman had made herself go to a group event alone for the first time too, and said to my mother what your friend-to-be said to you.). These simple gestures/forms of word that can change everything for the better...
Ahhh thank you so much Tanya for your lovely words of encouragement. The power of a small gesture or simple pleasure is something that I will be forever grateful for. I'm so glad that someone extended a hand of friendship to your dear late mother in her new life, those tiny glimmers and shimmers in the everyday hold so much opportunity to change the course of things and it can be so easy in the whirr and white noise of today to overlook them. Thank you again for creating such a wonderful and welcoming space to share, these prompts are holding my hand so gently and kindly and helping me write, I can't thank you enough. Huge love from Cornwall xx
Tanya, This is written from the opposite end of parenting than your excerpt, my kids heading out on their own. Some of this letting go was instinctual, but overall it was a conscious effort to make sure they could head out on their journeys knowing that I was always here, but also enjoying this new period of my life. Many thanks!
The great green of early summer grasses in the field behind our house are gone, now sun-stripped to the lesser greens and sleepy golds. Pollen clinging, waiting, then wind whipped, set free, the cloud arises as a fecund murmuration, loose in the wind, disappears.
Kids, too, like pollen, restless, loose in the wind.
My mind, thick and full, a willow tree now, unfurling, tossing leaves when I feel overwrought and branching out when nourished. Time to follow sparks of whimsy while rooted in place, braided and twined in storms, strong, pliable, an easeful abandonment. Storm gone, pieces of branches cast downstream, a mother able to let go, to let children grow where they land.
The willow stays, feeding bees in early spring, cradling the next nest, birthing new words.
Oh my. How very beautiful - and while it has what I've come to see as your hallmark lyricism, there is a different rhythm and gentler energy to it. And how moving to have this vision of acceptance and the slow growing/going of children and the eventual coming in of new possibilities of us when we have to be without them. My husband is already beginning to experience sudden stabbing anxiety pains at the thought of our two not being here daily in four or so years - perhaps because he had to be away five days a week for their first twelve/ten years.
Tanya, Sounds like your husband and I could practice the line from The Peace of Wild Things by Wendell Berry of not taxing our lives with the forethought of grief. As sad as I was at the thought, it was strangely easier than I expected. As always, many, many thanks!
This really touched me Shelia, thank you! I too am at the other end of parenting, although it has been some years since my babies left the nest. They have since blessed me with 7 grandchildren and so the bonding has begun all over again. Bliss!
Well 300 words was a real challenge, this was originally 1200 as it poured out of me in one go. Like that moment of birth, one ,minute invisible, the next tangible.
I feel like I cut a lot of the beautiful words out to make it work. But perhaps this just stripped it back to the important raw story of it all.
'Bonding With Emilio'
The love I felt for my daughter when she was born was instant, earth shattering, the purest joy.
When I was pregnant with my son, he was diagnosed with Hypoplastic Left Heart Syndrome.
It was the worst day of my life.
Something inside me said ‘Don’t love this one too much, you won’t get to keep him.’
I had spent my whole life protecting myself.
I didn’t want to hold back with my son.
But the thought of letting that love take me over, and then losing it, was the scariest thing I had ever faced.
I knew that I wanted to love him wholly for however long I had him for.
I did everything I could to not hold anything back. I stayed with him every second.
It was still a great love, but it wasn’t the same as what I felt for my first born.
But here, it’s like making the distinction between stars, and the brightest north star. It was immense and immeasurable love. But I was also still blocked from that supernova that happened when Sofia was born.
Every time I felt a surge of happiness it was followed by a stab of fear in my gut.
After Emilio’s 3rd open heart surgery life became almost normal. We didn’t have any more terrifying surgeries coming up.
Best of all we didn’t have to go to hospital for every single cold. Wondering each time, if this was the one that would kill him.
Gradually I realised, I still had him.
I began to consider that I might actually get to keep him.
And then, there it was. That supernova love. Not a blast all in one go, not a firework moment. But a stealthy blossoming in my chest. The iron fist that had been clutching my heart loosened, just a bit, just enough to let the light in.
I realised I loved Emilio as much as Sofia, I always had.
But I had been bracing for impact for 3 and a half years.
It makes me wonder, what else am I holding back on? What else could I feel and achieve, if I was only brave enough to feel completely?
Dear Emma - what an utterly moving contribution you have given us here: a piece which, in its measure and clarity, conveys so much of the huge planetary adjustments you had to make in response to Emilio's so-serious condition and all it called forth in you. And then those compelling questions at the end about radical...vulnerability. What it might do to your life, to all of our lives... Thank you so much. Here is your link and if you'd like your last name added, just reply in this thread with it and I will update. Tanya xxx
There were strict instructions. He was to be handed first to her, skin to skin, mother to son. I was the watcher, encourager. Outside looking in. Birth partner, mother of mother-to-be, Grandma-to-be.
Then suddenly trolleys, quick exchanges, gowns, masks, operating theatre, teams, screens, sweaty hands held tight, hearts held tighter.
"Can you give him to Mum please. I'm going to be sick."
And there you were, nothing to plan but everything in order. A tiny slippery bundle, wrapped and delivered.
"Would you like to cut his chord?" Channel of life-flow, severed. Surgical scissors slicing through gristle and skin, so hard to break. Automony. Not mother. Mother's mother. Feather-light in my arms.
Then it came. Joy. Such joy. And I was in another city, another time, holding another tiny, slippery bundle, a girl. My daughter. And I'm bonding again. Bonding to a mother, as I bonded to you then. Everything to learn. How to live together as mother and not-mother. Son and grandson.
"I'm OK now," and I hand him back, as I will again and again. Joy twice over.
Louise! Thank you for sharing this rich tale of bonding acrossing cultures: it reminds me all over again how little time I have spent outside my small town & family. I would need to edit for length to include on the book site, and I can do that at the end of the coming week or early the week after? And send you the link then to see if you're okay with the shorter version I can use in the template I have. I've got two essays coming out online from other authors on my Selkie Press website next week for Birds of Firle, so have quite a lot of edits and web work to do. But I will turn to this after that! Thank you again for taking part.
Delighted to! Am at home recuperating after hip surgery. Painting is my method of expression so this has been a joy and whole new outlet. Thank you for that!
Louise - I've put an edited version of your lovely piece onto the book site. I needed to delete the longer one here, only because I need to be clearer I realise on length. I've updated the wording on the three posts to date to state 250/300. Yours even edited is still a good deal more than that, as you will see, but it's lovely and so I included as much as I can in the format I use. But I deleted here in case other subscribers see and assume at a glance that only long form responses are accepted... Do let me know if you'd rather not have the edited version appear. But I hope you will, as it's a lovely exampled of unexpected connection. As before, I've linked to your artist website... Tan x
So moved by this Tanya, thank you for sharing it. I think one of my most intense and valuable bonding experiences has been with Northumberland. I’ve tried to explain a little more about it here:
My tale is one of connection with land, with sand and soil. It is a tale of immersion in water that burns me, in salt and seaweed. And it is a tale of inhaling the sky and breathing out fear.
For years I struggled with a strong sense of claustrophobia that I was somehow experiencing in the middle of nowhere. I missed the soot in my nostrils and grease on my face from packed tube trains. There was an anonymity in the city that could be lonely, but somehow I fitted in, wore the grime as a second skin. But moving into the wilderness, naively expecting the good life, was a different kind of isolation. There were visceral reminders that I was still alive: puckered lips around my breast, tiny nails jabbing my ribs under the duvet and gritty eyes staring with an exhaustion that has perhaps never really shifted. My sense of self was all wrapped up in many babies, and the rest of it was lost to a man who no longer lies next to me.
I would walk the Northumbrian beaches with the youngest strapped closely to my chest, a small girl in each hand and the oldest running ahead on legs that effortlessly pounded the waves as they rolled towards us. We were a tribe. Whilst the children might have felt an innocent freedom on that sand, I was bending down and clutching pieces of sea glass like talismans, desperately trying to find myself amongst the bladderwrack. I began to fill jars with smoky blue shards, rubbed smooth by the tides, translucent milk drops and bottle green nuggets that glowed in my kitchen.
After a long time, I could no longer smell the city on my body. My lips were being kissed only by sea spray, but I could lick them and recall myself in an instant. I started to lean in to the rhythm of the waves, listen to the curlew’s call hanging on the breeze, enjoy the sharp shells under my toes. I have exhaled this air so often, cried so many tears that the sand is soaked, my own salt mingling with the sea. Now I am not sure where the wilderness ends and I begin.
Caro, this is such a tangible piece of writing from you. I will add it with great pleasure to the main book site on Saturday once my book is with editor again & will let you know on here the link to it. Your book is going to be beautiful. X
Your words are now up on the book site Caro, and I've linked to your author site on your name. Here is the link. Thank you so much for taking part, and hope that some of the themes remaining before publication day interest you to try too... Tan x https://thecureforsleep.com/the-cure-for-sleep-may/#CaroFentiman
Thank you so much Tanya, I love this project you have created, such a nurturing and generous way of sharing stories x
Thank you so much for sharing this, Caro. I’ve been thinking about it a lot and the bones of my own bonding story with a landscape and place are taking form. It’s likely I never would have framed my experience in such a way had you not offered this up for us all. Cheers!
Beautiful!
Thank you Louise
This is so beautiful and evocative, Caro. I can relate to so much of the sense of claustrophobia even in a place that is remote and removed. xxx
I love this Caro! You have provoked so many memories of how I have had to work hard to try and bond with Australia after emigrating many moons ago from the UK. It has been a struggle indeed and there are still days after all these years when I feel that I still haven't quite managed it, but I am getting there.
Thank you for sharing.
Tracey x
I love your stories of Northumberland Caro. Someday I’ll travel that coastline but til then .... thank you!
Thanks Sheila. I feel the same about your neck of the woods
I'm a bit late in responding here, but I love this extract, and how trepidatious it made me feel while reading it. Because of how measured your steps were in preparing for this meeting of mother and son, your own fear etc comes through. What do you do when it doesn't happen like all the books and magazines and experts say? You go back to the very Beginning...stripped bare, no one else to interfere, echoing Wordsworth: "THIS is the forest primeval..." My own tale on bonding includes sound as well, in the sharing of music. I should note that while I was writing this brief sketch my curiosity propelled me to Google. Arthur, the gentleman mentioned here, passed away in 2013 at the age of 77. I discovered his all too brief obituary online. But I also discovered a photo of him on the website of the agency he received support services from, and in the photo, he is smiling--one arm held close to his body, the fingers of his other hand having just made sound from a guitar laid held across his lap by a staff person. Maybe I was the first to try and develop a true connection with him, but it's good to know that I was not the last and perhaps had a hand in changing in his life for the better.
****
ARTHUR
He sat alone, one arm across his body while the fingers of his other hand tapped a rhythm on the hand held flush to his chest. He often strained to one side of the chair, pulling at the chest and groin restraints, legs stretched out and ridged, punctuated with a guttural yell of displeasure? pain? He wore a sweatshirt and sweatpants stained from lunch, and white tube socks. He mashed and gummed his tongue: tardive dyskinesia, a side effect of antipsychotics I’d later learn. I didn’t question his aloneness or the restraints because I was too young and new to the work. It took a year and various personnel changes before I attempted my own relationship with Arthur.
Each night I wheeled him into the dining room and I sat at the table writing my end of shift notes. As I wrote, I talked to him: It’s my turn to make dinner tomorrow night for everyone, Arthur. What should I make? Would you like to help me? I did this for months, writing and chatting to him and occasionally spooning him butterscotch pudding with his evening medications. Then I started playing music I brought from home—new age piano, Enya, Beatles, classical—even though it wasn’t clear how much he could hear. The right side of his face was perpetually red and his ear deformed, the cartilage mottled and bumpy, cauliflower ear it’s called—a result of him slapping the side of his face and ear.
One night I pressed play for an Irish/Norwegian duo called A Secret Garden, violin and piano. Arthur stopped tapping his fingers, slowly leaned his body closer to the stereo. I wrote and watched him. When I finished writing and began to move away he grabbed my hand. He brought it to his red and mottled ear, and he tilted his head resting it on my hand. We stayed like that for minutes, music filling the space around us. He could hear enough to appreciate music, or at least feel it. And we had made a connection.
Amy! I'm so sorry I missed the notification of this until now. What a moving relationship, so beautifully written. Thank you for it. I've added it now, with pleasure, to the story archive and your link is as follows. https://thecureforsleep.com/the-cure-for-sleep-may/#AmyMillios
Absolutely no apologies needed. I added it rather late and quietly. It’s wonderful thing, this sharing…I’m finding that I’m inspired by your stories and the others shared here as well, so the effect is exponential.
This is an evocative piece Amy, I have enjoyed reading it!
Tracey x
She used to link her parents’ hands after their quarrels. Her dad’s - dry and cold; and her mother’s - fleshy and limp. Their fingers momentarily connected. Later they’d resume talking - bills, prices, ailments, her school reports. She would feel safe.
Fifty years on they still don’t talk much. They walk every day to the corner shop wrapped in their own bubbles of thought. The mother chooses their food and the father pays and carries it home. At home they wait silently. When she calls, they would talk, just long enough for the feeling of safety to return.
A shiver reading this. A poignant true story that reads like fiction. Vivid, unsettling. Thank you for it. Here is your link: https://thecureforsleep.com/the-cure-for-sleep-may/#elena
Txx
Yes, sometimes it’s easier to pretend that your story is a fiction. Thank you for your kind words. Xx
Beautiful Elena and how skillful too, to say so much with so few words.
Thank you for sharing.
Tracey x
Thank you, Tracey. That means a lot xx
Akin to Love
She didn’t call me by my name, my mother’s big sister, my Auntie. I was just the baby, an intruder. I learnt a lot from Auntie, at an early age, I learnt that I was the object of jealousy and hatred, and I learned hatred and jealousy in return. I learnt that adults could lie and be believed whilst a small child’s truth was punished.
My Aunt had grey eyes. “Like the pavements”, I said once, swiftly rebuked for my unkindness. Small acts of meanness went unseen by my parents. The removal of my teddy, that miraculously re-appeared when the rest of my family returned, the whispered pin pricks of critical words.
As I grew older, Auntie accepted me. Maybe even grew to love me in her own way, but the damage was done. I had no love for her and no trust in her smiles. We moved away and I learnt about guilt. Poor Auntie left alone with no one. She followed. Each holiday, appearing on the doorstep for another indefinite and seemingly endless visit.
I grew up and with the passing of time, my mother, Auntie’s beloved little sister, died. I did my duty to my aunt with phone calls and weekend visits.
She tried. Breakfast in bed and specially cooked vegetarian food. Hours passed slowly, watching the comings and goings of the neighbours through the immaculate net curtains.
Dementia came next, and a nursing home.
My final visit saw Auntie sitting forlornly by her bed, her long grey hair released from its tight bun, flowing softly onto her shoulders. Her dignity compromised by the pile of adult nappies on the table.
As I kissed her goodbye, I felt something. More than pity, more than forgiveness. Maybe, too late, it was love?
Oh my. This second piece from you that I’ve read today has equal and opposite energy to your gentle piece about your kindly grandfather. There is something so shocking, so violent, about even the most sly and unseen unkindnesses and worse that adults inflict on children - and you choose details here which carry that shock and meanness so well - words as pinpricks. And the childish hiding of the teddy which, when done by an adult, becomes far more sinister. Then there is the surprise and the poignancy of your last three lines. I’m not sure I could have found that in myself, but admire you for it. It’s a fine and thought-provoking piece for the bonding theme. Thank you.
Here is your link:
https://thecureforsleep.com/the-cure-for-sleep-may/#rosemarykirkus
Txxx
Thank you again Tanya, I am finding how powerful writing can be when reflecting on the past, better than any therapy, Somehow writing these short pieces bring the past alive but from a new perspective. Having written about it I can then let it go,
Already I am learning so much from your project and your words.
Thank you
It’s the same for me. I feel almost posthumous in these two years since the book came out… but in a good way. A happy ghost, I tell people, when they ask what I’m doing now/next. Just enjoying being afloat in life having let go of all the old grudges and tethers!
One of the joys of getting older as well as the joy of writing x
Late to the party again, but I've been reading back through these all these lovely prompts and re-reading your beautiful book again Tanya and these invitations to write have provided such a beautiful focus for me recently... thank you again so much. Aside from connecting with my children, the bonding experiences that really stand out for me are those connected to the multiple moves that I have made during my life. In the past two decades, I've moved from Cornwall to London, to Berlin, back to London, then Cornwall, then to Portugal and most recently back to Cornwall. With each move I feel like there has been an effort to bond and connect with each place, even the places where there is muscle memory for me, there has still been a effort to reconnect and find myself again in that place, each move has brought with it a myriad of new experiences for which I am hugely grateful, but very often I have felt I've have been trying to catch up with myself and reorientate and recalibrate in each new environment... Key to settling has been meeting some truly magical people and making some wonderful friends.
I could have written so much more beyond the 300 words and think I will continue following the thread offline. In this piece, it's about arriving in Lisbon and having to start anew again:
I find myself on the periphery.
The veil of belonging glimmers, gently covering all those who surround me. It teases me with its glittery warmth as I stand awkwardly, unaccustomed to this new place and poorly-dressed for this warmer climate. I pull at my long sleeves, self-conscious of my very British outline and pale, freckled complexion.
The looks of recognition, nods of the heads, embraces with arms wide open and easy, comforting familiarity fills the school entrance. But I remain on the edge, unable to speak the language, unable to read the social cues and unprepared. Wanting so desperately for the sake of the children to find some way in, hoping some crack would open up just enough to accommodate my shadowy self.
Yet this feeling is not new. As I linger on the sidelines, I wonder how many times I have stood on the outside. How many times I have tried hard to catch an eye, exchange a smile or simply say hello in an unfamiliar setting. The multiple moves that have seen us trapeze across the UK, Germany and Portugal have worn away my confidence. Early motherhood has added its own patina to my being. I feel naked and exposed in this new setting. The beautiful warm weather is at odds with the loneliness that has followed me here from Cornwall.
The passage of time is a mother, embracing me and holding my hand. It's not long till the warmth begins to touch my edges, the unfamiliar routes become more familiar and the light slowly creeps in. As I stand at the school gates one morning, a kind voice whispers in my ear as I, ‘You’re looking as lost as I feel.’ and so the start of a friendship is born.
Lucy... what a poignant piece this is and full of sensory detail that really has me see and feel (for) you back there, then. And then the beauty of the surprise and beauty of this sentence towards the end: 'The passage of time is a mother...' Followed by the surprise and beauty of that simple human gesture which found you (almost exactly what happened to my late mother when she had to start a new life in a new town at 78, having never lived alone. Another woman had made herself go to a group event alone for the first time too, and said to my mother what your friend-to-be said to you.). These simple gestures/forms of word that can change everything for the better...
Here is your link:
https://thecureforsleep.com/the-cure-for-sleep-may/#lucybeckley
Txx
Ahhh thank you so much Tanya for your lovely words of encouragement. The power of a small gesture or simple pleasure is something that I will be forever grateful for. I'm so glad that someone extended a hand of friendship to your dear late mother in her new life, those tiny glimmers and shimmers in the everyday hold so much opportunity to change the course of things and it can be so easy in the whirr and white noise of today to overlook them. Thank you again for creating such a wonderful and welcoming space to share, these prompts are holding my hand so gently and kindly and helping me write, I can't thank you enough. Huge love from Cornwall xx
Tanya, This is written from the opposite end of parenting than your excerpt, my kids heading out on their own. Some of this letting go was instinctual, but overall it was a conscious effort to make sure they could head out on their journeys knowing that I was always here, but also enjoying this new period of my life. Many thanks!
The great green of early summer grasses in the field behind our house are gone, now sun-stripped to the lesser greens and sleepy golds. Pollen clinging, waiting, then wind whipped, set free, the cloud arises as a fecund murmuration, loose in the wind, disappears.
Kids, too, like pollen, restless, loose in the wind.
My mind, thick and full, a willow tree now, unfurling, tossing leaves when I feel overwrought and branching out when nourished. Time to follow sparks of whimsy while rooted in place, braided and twined in storms, strong, pliable, an easeful abandonment. Storm gone, pieces of branches cast downstream, a mother able to let go, to let children grow where they land.
The willow stays, feeding bees in early spring, cradling the next nest, birthing new words.
Oh my. How very beautiful - and while it has what I've come to see as your hallmark lyricism, there is a different rhythm and gentler energy to it. And how moving to have this vision of acceptance and the slow growing/going of children and the eventual coming in of new possibilities of us when we have to be without them. My husband is already beginning to experience sudden stabbing anxiety pains at the thought of our two not being here daily in four or so years - perhaps because he had to be away five days a week for their first twelve/ten years.
Here is your link: https://thecureforsleep.com/the-cure-for-sleep-may/#sheilaknell
Txxx
Tanya, Sounds like your husband and I could practice the line from The Peace of Wild Things by Wendell Berry of not taxing our lives with the forethought of grief. As sad as I was at the thought, it was strangely easier than I expected. As always, many, many thanks!
This really touched me Shelia, thank you! I too am at the other end of parenting, although it has been some years since my babies left the nest. They have since blessed me with 7 grandchildren and so the bonding has begun all over again. Bliss!
Tracey x
Thank you, Tracey! And how exciting, seven more souls to love and another career of sorts in your life!
Oh yes most definitely another career for me!! I am very hands on with them all so that the parents can work and I love every moment of it!
🙏
Well 300 words was a real challenge, this was originally 1200 as it poured out of me in one go. Like that moment of birth, one ,minute invisible, the next tangible.
I feel like I cut a lot of the beautiful words out to make it work. But perhaps this just stripped it back to the important raw story of it all.
'Bonding With Emilio'
The love I felt for my daughter when she was born was instant, earth shattering, the purest joy.
When I was pregnant with my son, he was diagnosed with Hypoplastic Left Heart Syndrome.
It was the worst day of my life.
Something inside me said ‘Don’t love this one too much, you won’t get to keep him.’
I had spent my whole life protecting myself.
I didn’t want to hold back with my son.
But the thought of letting that love take me over, and then losing it, was the scariest thing I had ever faced.
I knew that I wanted to love him wholly for however long I had him for.
I did everything I could to not hold anything back. I stayed with him every second.
It was still a great love, but it wasn’t the same as what I felt for my first born.
But here, it’s like making the distinction between stars, and the brightest north star. It was immense and immeasurable love. But I was also still blocked from that supernova that happened when Sofia was born.
Every time I felt a surge of happiness it was followed by a stab of fear in my gut.
After Emilio’s 3rd open heart surgery life became almost normal. We didn’t have any more terrifying surgeries coming up.
Best of all we didn’t have to go to hospital for every single cold. Wondering each time, if this was the one that would kill him.
Gradually I realised, I still had him.
I began to consider that I might actually get to keep him.
And then, there it was. That supernova love. Not a blast all in one go, not a firework moment. But a stealthy blossoming in my chest. The iron fist that had been clutching my heart loosened, just a bit, just enough to let the light in.
I realised I loved Emilio as much as Sofia, I always had.
But I had been bracing for impact for 3 and a half years.
It makes me wonder, what else am I holding back on? What else could I feel and achieve, if I was only brave enough to feel completely?
Dear Emma - what an utterly moving contribution you have given us here: a piece which, in its measure and clarity, conveys so much of the huge planetary adjustments you had to make in response to Emilio's so-serious condition and all it called forth in you. And then those compelling questions at the end about radical...vulnerability. What it might do to your life, to all of our lives... Thank you so much. Here is your link and if you'd like your last name added, just reply in this thread with it and I will update. Tanya xxx
https://thecureforsleep.com/the-cure-for-sleep-may/#emma
There were strict instructions. He was to be handed first to her, skin to skin, mother to son. I was the watcher, encourager. Outside looking in. Birth partner, mother of mother-to-be, Grandma-to-be.
Then suddenly trolleys, quick exchanges, gowns, masks, operating theatre, teams, screens, sweaty hands held tight, hearts held tighter.
"Can you give him to Mum please. I'm going to be sick."
And there you were, nothing to plan but everything in order. A tiny slippery bundle, wrapped and delivered.
"Would you like to cut his chord?" Channel of life-flow, severed. Surgical scissors slicing through gristle and skin, so hard to break. Automony. Not mother. Mother's mother. Feather-light in my arms.
Then it came. Joy. Such joy. And I was in another city, another time, holding another tiny, slippery bundle, a girl. My daughter. And I'm bonding again. Bonding to a mother, as I bonded to you then. Everything to learn. How to live together as mother and not-mother. Son and grandson.
"I'm OK now," and I hand him back, as I will again and again. Joy twice over.
Jean, how very beautiful. How much I wish to have had that bond with my mother or mother-in-law. What a gift you have given them. The link to your story on the book site is as follows: https://thecureforsleep.com/the-cure-for-sleep-may/#JeanWilson
Very best as always, T. x
Gosh that's so kind. Thankyou
So looking forward to reading your book. Didn't really think I had a bonding story. Turns out I did. Still do.
Louise! Thank you for sharing this rich tale of bonding acrossing cultures: it reminds me all over again how little time I have spent outside my small town & family. I would need to edit for length to include on the book site, and I can do that at the end of the coming week or early the week after? And send you the link then to see if you're okay with the shorter version I can use in the template I have. I've got two essays coming out online from other authors on my Selkie Press website next week for Birds of Firle, so have quite a lot of edits and web work to do. But I will turn to this after that! Thank you again for taking part.
Delighted to! Am at home recuperating after hip surgery. Painting is my method of expression so this has been a joy and whole new outlet. Thank you for that!
Louise - I've put an edited version of your lovely piece onto the book site. I needed to delete the longer one here, only because I need to be clearer I realise on length. I've updated the wording on the three posts to date to state 250/300. Yours even edited is still a good deal more than that, as you will see, but it's lovely and so I included as much as I can in the format I use. But I deleted here in case other subscribers see and assume at a glance that only long form responses are accepted... Do let me know if you'd rather not have the edited version appear. But I hope you will, as it's a lovely exampled of unexpected connection. As before, I've linked to your artist website... Tan x
https://thecureforsleep.com/the-cure-for-sleep-may/#LouiseNewman
That’s great Tanya! Seamless. Thank you for including me! Lxx