And what a fascinating approach you've taken to this Voices prompt. These light-sounding social comments that people around us make (and that we use too oftentimes of course) to ease life's more unsettling moments and transitions.
You've worked with light and shade here to great effect. Love it.
Here is your link, and I'm adding you to the list of A to Z contributors on the book site and also over on Substack!
Donna... so very glad you have joined this project because what an exquisite piece you have shared with us. It is both a very complete and concentrated statement of place and people and feeling, full of love, but with a shadow of your other home, your family one... and it at the same time feels like a voice, like a sensibility, like a story I could spend a much longer amount of time with. What draws me in so completely in the work of novelists Marilynne Robinson and the short stories of Alice Munro I feel reading this piece by you. And so all over again you are another new contributor who proves to me that my choice to offer a 300-word limit is in no way a constraint to people telling very full and rich tales. Just wow. Here is your link and I will be adding you to the A to Z lists of contributors on the book site and over on substack. I do hope you will try out other themes in the large-now archive - no deadlines, all stay open. Thank you. Tanya xx
I read this too aloud to my husband and we both had tears come. It took a lot for both of us to share this story of our shared life - for all the reasons of childhood conditioning that you know about from reading the book with all the care you have. So what you've said means the world to me but also to Nye. Thank you from both of us. xx
Donna, I'm late commenting as I've only just joined, but wanted to say how much I enjoyed this piece. Your writing is so rich, with evocative detail. I like how you manage to convey the world of your own family through its contrast with the world of Mrs Eaton. A really lovely piece of writing. I'll look out for your other pieces as I trawl through the archives.
Jo! I was hoping you'd continue writing for the project after your gorgeous piece on synchronicity for the Reading issue.
And how much I love this - it has the feel of a poem: how the patterning, the rhythm, serve the point and purpose of what you are wanting to show, and say.
Do you know Ted Hughes' poem in Birthday Letters about Plath during a brief time in their marriage when she was making rag rugs? He felt her to be at ease and peace, and was relieved for her to be so... but in reading her diaries afterwards he learned 'what furies she bled into them' (I'm doing that by heart, so am getting it a bit wrong probably).
This made me want to make a rag rug, to feel the rhythm that you relay here so beautifully. I felt lulled by this piece. In such a short writing you were able to tell so much about yourself, your dad, the challenges of people throughout history and then the psychological insight. Wonderful!
Oh, the messages we receive as children! The confusion of them! The stickiness! And let’s be honest, a certain reality of them. The reality of that time, place, family, a state of mind …. One message immediately springs to mind. It was a message from my dad that shaped my early years like no other. It was a meme of my childhood. It was like a sticker with no small print, or a story behind it, or an explanation.
That’s the trouble with memes, they rarely come with a context. They don’t inspire questioning and feeling around them. The message often made me freeze with fear, it kept me quiet, it kept me locked in my bedroom. But also, it kept me reading, dreaming, craving for a better and safer place to be. Ultimately it did lead me to questioning too but that was much later. And acceptance… later still. The message still haunts me and follows me around, but I can look at it with different eyes, because now I can see a bigger picture and a story behind it.
“It takes one second to make the wrong decision. That one second could ruin your whole life”. You can’t really argue with that. I just wish he realised that years of fear can also cause irreparable damage.
Elena, thank you for being the first contributor to Season Three, and with this piece of what I now see as your characteristic fierce insight and truth-to-power.
As a piece of writing, I admire how you build towards the phrase, so as a reader we understand the depth and extent of its impact. And then when it comes, yes, it is stunning in its grimly fated perspective. A heavy and hard weight for an unhappy or disappointed parent to lay onto a child with so many years ahead of them.
Your story, as I come to know more of it through these short works in the project, continues to move and unsettle me. I know there are several members of the community now who, like you, have parents in other countries, other cultures, to where they are now. I think your work here is making it easier for others to begin sharing their stories too. Thank you.
I felt so curious reading this, just waiting to hear what the message was. "The stickiness" and "a sticker with no small print," I caught myself saying, yes, that is absolutely it, could just feel it.
Yes, Elena, I too can feel the heaviness of those words, the way they creep in under the skin, without our being able to do anything about them. So very painful. What was it like to be able to "speak" them aloud here in this safe space?
For a long time I believed I had to have been adopted, more truthfully, I wanted a different history. Perhaps I was a changeling swapped at birth in a strange hospital mix-up or left by mischievous Faery folk. I only had to look in the mirror, the curve of my face, the blue knowing eyes, to see my mother and grandmother reflected there. The truth was clear to see.
Whatever the story I told myself I did not feel that I belonged to this family, I felt so different it was hard to imagine that I was of the same bloodline. My ancestors are hardy folk, pioneers that left familiar people and places , to travel to a new world on the other side of many oceans.
These were woman, who heavily pregnant trudged through thick mud in long skirts, toddler on the hip in a strange land where there was nothing they knew as home and hearth. The men cut trees and worked many days and nights. There was always something to do and someone had to do it. Their hardworking ethic, the grim determination, is etched into my bones, handed down as a blessing and a curse.
I was a free-spirited nature child. I sang to the trees. Danced endless hours with the nature beings, both seen and unseen. I rescued injured birds and stray cats. I cried for the hurt animals and was sick at the sound of trees being felled. Not exactly a practical match for a generation's old farming family.
The unspoken family motto was “If you are not working you are not worthwhile”. Even the definition of working was narrowed by convention and conformity. The slow cold creeping mist of this legacy began to rise as I left childhood and I succumbed.
Carole, this is beautiful storytelling from you - weaving in so few words such a rich picture of generations, and then that tightening into a knot of what is considered worthwhile by them. So at odds with what in you was responding with such depth, such breadth, to the world around.
Here is your link, with my thanks for joining our project here, and with these words.
I think we are already working together over on the Hagitude program? Let me know if that is not so!
And may I have a last name/pen name or initial please, as I need to make sure stories by people of the same first name are kept distinct from one another in the story archive.
Yes, Tanya we have indeed meet in Hagitude. It is through that connection I have found your wonderful community and feel grateful to join you all.
My name is Carole Mahood, I am happy to use my full name.
I have so much respect & love for my ancestors who gave so much that their descendants could have a better life and I also grieve keenly for much was sacrificed and lost along the way. It is a push pull I have felt throughout my life, a see sawing on unstable ground x
Carole, I had some of the very same wishes! I memorized every line to the movie Little Orphan Annie, and fantasized about my "real" family coming any day now to rescue me. Despite a resemblance (I told myself maybe I was my aunt's illegitimate child given to her brother and his wife to raise) this fantasy actually lasted into adulthood, when I made up some grad school project for which I needed to run our DNA through Ancestry.com. Much to my disappointment, they are in fact my actual parents.
I was 15 when I found out that I had a cousin living in my home town that wasn’t allowed to be mentioned. I found out about her on a dark rainy November night in a car park. My uncle ‘couldn’t keep it in his pants’ apparently. Dirty little secret. He was in the navy. ‘Likely a child in every port’ they said. There was also another son, adopted by his sister, my aunt. I grew up with him but didn’t know the truth of his father until I was an adult. Another cousin spent time inside. That wasn’t mentioned either. Shush.
Then there was Auntie Mary, who had a child out of wedlock & the child was raised as her sister. Secret after dusty cobwebbed secret.
My mum had an affair with the neighbour. Over the fence at the back of the house. I remember sitting on the blue metal swing age 9 hearing them whispering and feeling my blood run cold in shock. Shush.
Life we as knew it fell apart soon after. Dad crying on the sofa as my mum took everything.
Shush, we don’t talk about that became the motto for my childhood. A big empty space. We don’t talk about anything. A total lack of clear, guiding voices. My parents. Distant, distracted. Elsewhere.
At 50, I can unravel the empty silence. To parent myself. To talk about everything all the time.
I ask my children ‘how are you? How do you feel? What do you think? What’s important to you? What music do you like? Who are you? What would you like to be when you grow up? Are you ok? Do you need a cuddle? I love you.
Can you let me know an initial (your own or a pseudonymous one of your choosing) that I can add to Helen please? And can you confirm that you're the same Helen who has written already for Friends, Birthdays, Reading & Gestures? Now that the number of contributors is growing, it's important I can make sure stories by people with the same first names are kept separate!
Thanks Tanya- so happy you are back with more themes & thanks for the chance to add to your archive as always - I added my middle name and yes I have written the others you mention xx
Wonderful! I thought it was the same Helen running through them - you have a distinct voice and prose style... and so the editor in me is pleased that I got that right!
I will update all your entries tomorrow and in the A to Z listing also.
Thank you again for being part of this project. xx
I have been surrounded by much more than my fair share of people with very little curiosity and imagination, let alone ambition and determination. All my life I have heard that ‘it can’t be done’, ‘it’s too difficult’, ‘you won’t make it’, ‘no’, ‘no’, ‘no’. From ‘don’t take that job, the bus ride is too long’ to ‘what would you want to go to university for?’. The amount of bad (often unsolicited) advice I have been given throughout my life is astonishing. Exasperating. And the effort it has taken me to quieten these voices down and grow as someone conscious of living on a beautiful planet full of possibilities has been huge. It took me a while, but now I mostly follow my instinct and it has not failed me yet.
I will never forget a conversation I had about Revolutionary Road (the Sam Mendes film based on the wonderful novel by Richard Yates). I was discussing it with a colleague who was becoming a friend, someone I thought was one of the most adventurous people I knew. In the story, Frank and April Wheeler have a troubled marriage and he complains constantly about the dull job he has to hold to support the family; so, April comes up with a perfect, practical plan that would allow them to move to Paris, where she would support them and Frank would be free to chase his dreams. My colleague did not understand how April could think it would work out: ‘But she had it all perfectly planned!’, I can still hear myself saying in a heated tone. Frank was clearly just not up to the challenge. My almost friend and I have not spoken in years, with the exception of one Facebook interaction when someone died. Life really is too short.
Oh my! A characteristically powerful piece from you, Maria, reminding me once again why your anonymised application for mentoring spoke so directly to me that I needed to work with whoever was behind the words. And an added excitement tonight, reading your piece, as I only DAYS ago went to fetch Revolutionary Road from its place on my A to Z shelves of paperbacks to sit with other novels that I want to revisit this year because I feel they have things to teach me about the power of writing/life. Even though I've never travelled as you have, as April planned to, I felt (like you) that April's plan was perfect, and practical. But I love how Yates describes the way Frank begins to enjoy his almost accidental, careless success at work, so that it begins to exert a pull on him.
The book is shocking in its events the way some of the things that have been done and said to you are.
So it is so interesting to me, as someone who has shared a deep mentoring conversation with you, to find out now that you know this book well. We must find a way to talk again this year, if you'd like that too!
Thank you, Tanya! I hope I didn't come across as ruthless about other people, I'm not, it's just that I only had 300 words to play with. I love the challenge of using exactly that many words (I've set myself that challenge), and I think I've managed it so far. I would love to talk again at some point! I love Richard Yates, his short stories in Eleven Kinds of Loneliness are heartbreakingly beautiful. I hope you are well. Much love to you, your Mum and all your family. xx
When we talk next I will tell you about a hair-raising example - similar to this - that happened with me and much-younger-than-me editor during the second draft of the cure for sleep! Similar to this one and a blessing on the book and what I was trying to do with it. xx
We have a phrase, 'a little bit awfully too much' which is how my mother views everything, diminuitising herself and her world. To be bold and brave, adventurous and ambitious is seen as aggressive, masculine, in her book. Aren't these narratives limiting! Thank heaven for our rebellious natures that allow us to think differently
Words make formidable fences, rising to tower above us, easily reinforced with yet more words if they prove not to be sufficiently strong.
My parents made their fences from sentences that started “People like us don’t…” and for 14 years I contentedly lived behind those fences, made secure by other words that encouraged me to ‘Work hard at school” and “Look for a good job”. I was never conscious of the contradiction at the heart of that domestic claustrophobia. I was stifled within the fences.
Until I found that beyond the fence there was the possibility of a life spent more easily outdoors. I met people who appeared not to recognise those same fences; who walked, and ran, and climbed, and swam and talked of places that existed only in my dreams. They led me to believe that words could also be used to make ladders, indeed that words were in many ways better suited to fashioning ladders than building fences. I decided to become a ladder-maker.
Suddenly discovering that they had raised a ladder-maker came as a shock to my parents. They raised their fences higher and made impassioned statements “People like us can’t have lives beyond the fence”. I challenged them, showing them my story-ladders, “I met somebody who….”, “It’s really cheap to go….” “I’m reading this book…” My challenges only seemed to provoke them, I had to acknowledge that for some reason they needed the fences that I was trying so hard to leave behind.
Finally, at 16, my story-ladders grew stronger and higher than their fences, I traded the security of their home for the uncertain freedoms of independence, knowing that when I encountered other fences, in other places, my story-ladders were always a means of escape.
I love this, Geoff. This concept of fences and ladders, yes, the child-who-was-me in a different part of the country but the same class, responded so strongly to the physicality of this - the barriers are felt as material ones, and the effort involved in getting free of them, that too requires a set of tools. Really felt for you, as I did for my mum in the stories she has told of her ambitious youth, with those phrases you've shared. So much energy going into persuading and asking permission, instead of it going straight into the adventures themselves.
And then the joy of that last paragraph. You got over and out...
So powerful, this morphing from word fences to story ladders, your story of resistance and resilience, people who confuse confinement with protection, made me think of how I often fence myself in.
“Good things come in small packages,” is what my mother said when I cut Aged 4 labels off the clothes my eight-year-old self wore. I imagined myself as a rose gold ring inside a navy blue jewellery box.
My only sibling was a decade older than me. “We had to wait a long time and lost a lot of babies before you came,” explained my mother when I found her crying in bed one November afternoon. “But that’s okay because then we got you and that wouldn’t have happened if the other little girls had stayed.”
“Good things come to those who wait,” she said.
I was special, precious, adored.
Then why, in the super8 movies, does my brother glower as I dance in a kilt and a too-large tam o shanter? Why, when our parents went dancing, did he push my head down the toilet, or lock me in dark cupboards and the boot of his car? What made him tie me to a chair and spray a soda stream with such force that the wallpaper behind me dissolved?
“You’ve ruined my evening,” said my mother when I tried to report my brother’s brutality.
“I was toughening you because you were tiny” said David years later when I’d learned to fight with words, and he had his own family to control.
“We wanted lots of children,” said my dad as we watched the news in his room in Harbour House. They were covering the Bristol Royal Hospital’s baby death scandal and it had made him cry, remembering Sally-Anne, the still-born that had lasted the longest of all their lost babies.
Rosalyn... what a stunning first contribution from you, and I so hope it won't be the last, and that themes from the previous two seasons might tempt you to write as well (as stay open without deadlines).
You've shown how much can be done in 300 words: a complex family story rendered with such painful love and honesty in all its complexity. I think it takes real courage and skill to tell a true story in this way.
Here is your link to the piece in the archive, and I've already added you to the A to Z lists of contributors on both the book site and on substack.
Thank you Tanya, very encouraging. Yesterday, after posting this, i went to a poetry reading in my local bookshop and someone read an idiom poem. I had not heard of this before but loved the idea. In case you haven't either, I will share it here. You take three or four idioms or sayings that you like, or that speak to you and then write a poem using ONLY THOSE WORDS. In any order or as many times as you like. I am going to thy it with the two that I mention here plus one of my mother's other favourite mantras...which was "All that glitters is not gold" PS. I loved your book and have been pressing it onto friends since I read it last month. Expect a HUGE increase in sales from the south west!
That's a fascinating exercise - I will try! Thank you for sharing it onwards.
And so touched by your words about the book, and your generosity in recommending it to others. That's exactly what I told my editor I wanted to try and write - a book that women would recommend to their friends and family. A thing passed from hand to hand, just as I came to Mary Oliver's poems through a friend, and she from a friend before that...
So glad you've joined the project. I love how you write. xx
Gripping writing, the ability to show us so much from your life in such a short piece, not sure if I know just how to say this but the layout of the writing, the pacing, the quotes seem so carefully and well chosen for this writing.
“Where’s the other 3%?” I was asked. I’d just got 97% on my maths exam – I can’t remember if it was a particularly important exam, but even if it wasn’t, I was so proud. I couldn’t wait to tell him. It still makes my eyes prickle, over 30 years on. I wasn’t good enough. And that started it – or maybe it didn’t, maybe it had started earlier. Actually, definitely.
Two fathers, this from was my stepfather who lived with us; my real father lived with my stepfather’s family. Unusual to swop fathers with a best friend, but that is what happened when we were little. Two fathers, two families each with two children. Hearing how great the other two children were, how talented, sporty, musical, academic – hearing their achievements both from my father when he visited, and from my stepfather when he returned from his visit, the same night. In hearing how amazing the other children were, I heard how I was not.
It didn’t occur to wonder then, but I do wonder more recently - if the other children heard the same about me & my sister. Received and internalised the same message. We don’t have a relationship with the living other child to ask; and the best friend died relatively recently, no longer a friend for many years before that. I believe she felt as I did though. The father died long ago. The stepfather has revealed so much grief, loss and trauma it makes me ache for him.
So there won’t be apologies from either of them, but I have eventually found forgiveness anyway. For these fathers, for all of us children. Maybe we all got things wrong. But maybe, actually definitely, we were all always good enough.
Oh Becs! What a dynamic. How complicated and unnerving that must have been for you and all other children. It made me think how often a childhood becomes a puzzle for a grown-up child to solve later. To evaluate what was fake and what was real. Those who are not curious enough to go into it will probably carry on with the same pattern for their own children. Those who examine their past might swing to another extreme and overcompensate if not careful enough. You beautiful piece just underlines the importance of being real and not getting caught up with a current trend whatever it might be xx
Thank you Elena. And reading your piece - gosh, it resonates for the same reasons doesn't it? For both of us, I'm sure the messages were meant with love, with encouragement, but what puzzles for us to unravel and solve. With love x
Becs - what a compelling story you have shared with us here. The circumstances are extraordinary and won't be shared by many people** and yet I know that the way you were spoken to, and how you had to listen to the praises of others being sung: this is sadly so common, in my experience as a story-gatherer. I wish I could say that the people I worked with at end of life had been able to reach the kind perspective you have in your last sentences here, but I don't think many do.
A beautiful piece of writing - and unless my record-keeping has gone awry, I think it is your first piece for the project? I hope you will be tempted to try others (all themes stay open without deadilne). I've listed you as Becs B currently, but I'd love to add your full name or a pseudonym last name of your choosing...
(** although I did have a best friend whose parents swopped partners in this way, and your fine piece makes me wish I'd thought more about their experience when they were in my life: I was so focussed on being estranged from my father that I think I saw anyone with access still to both their parents simply fortunate. Chastened by this hindsight caused by your words...)
Thank you so much, Tanya. Your records are right - it is my first piece; having read your book when recovering from a surgery a few months ago, I have been waiting to join this community in real-time... I have given myself a pseudonym surname (a beloved cat!).
I loved your memoir very much and have been recommending it to so many friends. I do enjoy reading about other people's diverse real lives, though it often causes me to re-see the experience of someone I knew and reflect on whether I realised what they were going through at the time - and conclude mostly, probably not! I hope self-compassion accompanies any chastening for you. With love x
Thank you so much for reading my book - touched to think of it keeping you company in that post-surgery time that I found so strange and alien when I experienced it. I always hoped it would be the kind of story that readers would want to tell their friends and family about - as I share word of books that change my way of seeing.
Longing makes the early bird wake to sing the light into being, to sing for territory, to sing for a mate, also to kill the worm. Birds long for the north and then the south. Women often long to be birds. My great grandma saw yellow finches after her stroke. My grandma never had a bird feeder, too much mess, brings mice, can’t be bothered, your pap will get upset. My mom arranged ceramic birds in a curio. They told me I held the promise of change. No one knew the disruption it would create. I once saw a hawk swoop down and snatch a sparrow, at night I hear the begging call of the great horned owl.
Monique, Thank you for such a lovely response. I love the image of the ballsy robin and the sweetness of you baking for them. Fascinating how much joy watching birds can bring us and from your writings here, I am not surprised that you identify with them. So grateful! xxx
Sheila! I didn't see this initially as it came through among lots of wonderful ones from other subscribers to you about your work! (Good reason for missing it though!).
This reads and hits hard for me like some of Sharon Olds and Oliver's poems too - and I read it like a poem.
Now. Have you seen a new Substack I'm recommending on here? Unpsychology Voices? It's editor Steve was one of the first people to take work from me - a print edition and a fiction version of what 5 years later become The Weather House chapter in The Cure for Sleep. I admire him and his work immensely, and I feel strongly that you would enjoy publishing work with Unpsychology - reaching new readers for your words.
Take a look and if you're interested, I'm very happy to speak of you and your work to Steve so that it's easier for you to make a first approach to him...
Tanya, this blew me away...had trouble concentrating at work today! I've taken a look at what he's doing with Unpsychology Voices, reminds me somewhat of Emergence Magazine. I was struck by the quote from Alice Walker he used in the first issue “In each of us, there is a little voice that knows exactly which way to go” and was thinking of Poe's the Imp of the Perverse and how that is the human condition, the knowing of which way to go and at times the impossibility of going there, always that other voice. It would be amazing to have something published there. Hard to describe the gratitude I feel for this whole project of yours. Just amazing....xxx
I really think you should just send a message to Steve, Sheila, saying that you are one of the main contributors to my project here, and that I had an instinct you could contribute something valuable to Steve's publication - particularly given you have an American perspective...
Will you let me know if you do and how it goes? He is the most approachable of editors. Rather than write something laboriously and send it him cold, I risked messaging to ask what type of thing he might take from me. He was short on fiction for the issue I went for, so I wrote a story for it after our exchange!
Sheila, I love this, how you say women often long to be birds, how birds figure through your maternal line, how you bring the hawks and owls, re-instating live bird power to what had dwindled from finches to ceramics. You are singing the "light into being" in both directions for your female line.
Thank you for that! It made me think of the writing differently as I’m not sure my mom and grandma would describe it that way, but I did want the light for them and definitely see it moving forward in my daughter. Just love this space and how much it makes me think deeper…xxx
You’ve won the prize! Straighten your hair up before you go on stage.
How will anyone ever know how smart you are if you only study arts?
And so, every success was a failure and nothing that I did was ever good enough. I was never good enough.
Staring out the window, staring through the pages of a book, staring at the screen. All these ways to be seen to be absorbed in work, in study, in thought. I learned early on that if you appeared to be a certain way then you could fool people into believing it to be so. In the fourth grade, my eyes riveted to an Ancient Egyptian documentary, in part captivated but also knowing that adopting this posture would earn me points, would cement myself in the eyes of the teacher as a serious student. In the high school quadrangle, I would pull out my serious-looking hardback black notebook with the red corners and set to furious scribbling. I would carry my Norton Anthology of Literature face out in my arms as I walked the university campus.
Always with her head in a book; she must be so smart!
You’d think so, wouldn't you?
But in fooling people, I also fooled myself. So I believed that if I only read enough books, studied harder and longer than anyone else, achieved all those top scores, then yes, wasn’t I smart? Wasn’t I worthy? Wasn’t I of value?
I was playing a part and it was exhausting. To this day, I no longer know whether I am being myself or being what I think it is that others want me to be. Actually, that’s a lie. I know - I'm just too scared to drop the facade.
Emily, this is fierce and fiercely honest writing from you. You use the word limit to compress a whole lifetime of internal and external pressures into form, into story.
Such painful recognition and fellow feeling from me: this is what I did too. And it's only since I published my book last year that I feel able to walk around in the world now without a book or a diary always with me, as visible signifiers/proof/shield. The first day I sat on a train and simply looked out the window - not needing to 'look' like a bookish person - this everyday normal way of being for most people in the world - it felt so wild, so free. And while I still have a library of books shelved A to Z in my living room, I'm thinning them radically to keep only what I feel are books that I love or that I will refer to in my teaching or that my children may one day ask for (as my teen daughter has now discovered a love of Greek plays, so that she is asking for ones I only was forced to read for my degree).
'I was playing a part and it was exhausting.' How much I hope to get glimpses of your onward journey out from this through what you write here in the project.
Do you know Ferrante's Neopolitan Quartet? I first read the pre-publication in 2015 when carrying books about always was my only way of showing people what I most cared about. To read them now is powerful in a different way. One of the two main working-class characters in it manages through effort and some circumstance to study her way out from her dangerous part of Naples. To move in a different world. But how well she describes the cost of that, and how it is both authentic and also a sort of necessary costume that one can't then exist outside of...
Here is the link to you latest piece. Thank you again for sharing it.
Thank you, Tanya. There is great comfort and solidarity in your words and I am grateful for them. I began the Neapolitan Quartet years ago but only read Book 1 - just ducked into the bookstore this afternoon and bought the next two and will begin again. Ferrante's writing both compels me and agitates me, particularly the fiction. Will read with different eyes this time. I am currently rereading your book and it compels and agitates me as well. You have great courage and strength to allow yourself to step outside the expectations of others in order to do what is necessary for you and I am so glad you wrote your story - it shines a light. Xx
"But in fooling people, I also fooled myself. So I believed that if I only read enough books, studied harder and longer than anyone else, achieved all those top scores, then yes, wasn’t I smart? Wasn’t I worthy? Wasn’t I of value?"
Wow. Emily, I can so relate to this. Profound, deep, honest and self effacing writing here. I'm feeling very inspired by you.
Emily, this really got me in the gut. I struggle with being myself and wearing the facade. It is exhausting. A coping behavior for so long I am not sure how to drop it & who I will meet in the ashes. I am willing to give it a go though, I am curious, perhaps I will surprise myself. Thank you for honest insight.
My father was a big man ; a nineteen twenties man, an out of wedlock man who shone with a harsh light. A price tag hung around his neck that displayed his worth. A birth certificate name missing man - who turned into a disapproving man. The poem I presented to him aged sixteen never reached his consciousness; it broke apart and blew away in his huff! of disapproving breath. He was a sabotaged man - a branded man.
I lived for the gentler strokes of education which opened up avenues of possibilities; helped me to rationalise and dismantle the harmful scaffolding I was building up inside. Gave me the strength in later years to wrap up my father in forgiveness as time wore him down and mellowed his malice.
I journeyed through acts of healing; felt the flow of voices piercing my adolescent weaknesses. I sifted through tangled feelings and the unvarnished response of others. The weight and gravity of choices emptied out a version of me.
The metalwork teacher forged a haven in his workshop at school; that wise old scroller of steel fed me a dialogue of support and understanding. I hit the anvil hard- beat out life's rhythm, shaping steel and skin. " Hit it harder!" he cried, " it's the wrong shape." I was hitting it harder but from the inside- hammering out my imperfections- trying to harden my resolve.
The price of battling disapproval and bending the knee de-stabilized me; deepened my resentments and internalised an un-keeled form of me; but the soft skim of a girlfriend's smile gave this libran some balance; softened the brittleness crystallising within. The snatcher of smiles threw me into uncertainty and I veered into the unknown only to be rescued by loving hands. I witnessed and I was in my turn witnessed.
Steve, I hope one day to be holding a book by you, because I have such a thirst for these stories from male experience that disrupt and deepen the stock of narratives written by men. Whenever I read you - even though your prose style is so wholly your own - I think too of Lawrence, of Williams' Stoner. Books about men who have a deep connection to production, to work, but have deep natural/spiritual knowledge too.
I've read this several times for the rhythm, for the beauty. Thank you. Txx
Such a lushness of visceral verbs, Steve...Jarring at first--"A price tag hung around his neck ... a sabotaged man"--and then the paradoxical surprise of a "Hit it harder!" metalwork teacher who forged a haven for you...and coming to rest in the embrace of shared witness.
Always so happy - and grateful - when new subscribers not only write for the project, but take the time to read the archive and respond to other storytellers. Thank you Catherine. Steve isn't often online but I know he will be thrilled to feel himself read by you.
If you’ve read Harper Lee’s ‘To Kill a Mockingbird’, then recall that passage two pages from its close. It moved me when I first read it. Scout, nine years old, walks alongside Boo Radley to his home after the harrowing events that end the novel. Boo slips inside, but Scout remains on his porch, and looks. For the first time, she sees her town – its folk, their quirks and lives – as Boo does. Boo – reviled for no reason other than his difference – has sat there all those years, watching his neighbours with fondness, not hate. Scout’s understanding blossoms; she steps into Boo’s shoes.
I recall an English lesson at school, discussing Andrew Marvell’s poem ‘To His Coy Mistress’, in which Marvell exhorts his virginal love to embark on a passionate love affair together. Our feared English teacher – stiff, unlaughing, tightly permed – made us read the poem aloud. How embarrassing for us teenage girls!
We finished, fidgeting, mortified. Then our teacher asked that question. “So, if Marvell had written this poem for you, what would you do?” My pen clattered to the floor. Someone giggled. No-one answered. “Well,” she said, clearly irritated, “I’d have been bowled over.”
Later, I told my mother how horrified we had been. I will never forget her gentle remonstration in explaining our teacher had once been engaged, but her fiancé died fighting in the Second World War. She had never met anyone else.
So, my understanding blossomed as I found myself on Boo Radley’s porch, seeing my teacher’s inner life glistening beneath her stern exterior: her griefs, joys, her ability to be bowled over by a poet’s words. I had misjudged her, and I was ashamed.
Funny, looking back, she became my favourite teacher.
So so exciting to get another piece through from you Amanda, because you tree piece for the Gestures one was - as I think I told you - one that I rushed to read aloud to my husband. And your words and insight have moved me to it again - I just carried my precious computer down the treacherous basement stairs because I had to read it aloud straightaway. But of course, before I got to the last lines, my voice had already caught and tears had come. Just as happened with your other piece. That's a real gift, as a writer, as you must know, given the book you've invoked. That ability to surprise sudden tears and new understanding in a reader.
Just beautiful work, and it's a privilege to curate it. Here is your latest link:
Ah, thank you for those kind words, Tanya. I really appreciate it, and now I have that picture in my head of you negotiating the basement stairs, clutching your computer! Thank you so much for your creative support and encouragement. After I posted the piece, I sat and thought for a bit, as I realised I couldn't remember which came first, the English lesson or reading TKAMB, but what I learned from them is completely intertwined in my memory. Time's a curious thing, I guess, as we bring together separate things later on. Thank you x
Thanks again for your support Tanya and encouragement on this creative journey.
I contacted MagNorth as you suggested and I explained who I was. Colin was interested in an idea I had for for a 700 word piece about Holloways in the Calder Valley. I will let you know how that goes.
Steve! What wonderful news. I'm so glad you reached out as I feel passionately that your work needs to reach readers - and although this community is now growing fast now and is also very active, each reading one another, I want contributors to also move out into other journals/projects too. Do take a look at the wonderful Unpsychology Voices on here too - Steve was my first editor who took a story from me; one I only wrote after nervously being in touch to ask if there was any type of material he'd be interested to see from me. Always feel free when approaching other people to say you were one of my Ilkley mentees and use links to any/all of your pieces here as ways to show what you can do. xxx
Hi Tanya, thanks again for all your advice and encouragement. I needed to put to one side my creative writing because my brother Michael passed away a week ago. Been a sad time. I am now working on a eulogy to read out at his funeral at the end of the month. I want it to ring out as a celebration of his life. A dance with words to colour in the shape of his life.
My brother gave a name to his tumour. He called it Harry and he wanted me to write about the way the tumour was changing the way he was perceiving life and the impact on his behaviour. A strange request indeed. I ran various ideas through my mind and it crystallized into a seven stanza poem/ rap that is brash and undisguised in it's forceful attack on an unrelenting tumour.
I hope you don't mind me sharing this with you. It is all about words, stories and feelings that shapes everything.
Oh Steve. My heart goes out to you. An honour but also a huge responsibility for you to give your brother's eulogy - and from knowing your work here, I know you will have done what you promised yourself & him you'd do: a dance with words to colour in the shape of his life. (What a beautiful thing to do for another soul). Perhaps you'd let me see those seven stanzas by email one day - I'd be honoured to read if it was ever something you feel able to share beyond your close circle who attended that day. xxx
Half a glass of red was enough for the words to pour. "You'll never amount to anything, being so shy". Said to the thirteen year old with a snarl that left her silently weeping as he topped up.
Shame, branded on my cheeks, flared up across the decades. I later implored my NHS counsellor to turn the harsh lamp away from me. Trapped in a tiny room at the back of the village health centre I was distracted by toads smearing the windowpane with muddy webbed feet. They reminded me of Catherine’s tormented spirit at the window in Wuthering Heights. I got the giggles observing us, two adult strangers in the room. He mentioned his daughters, his ex-wife. Confusing.
In retrospect I feel sad. There was a ghost at the health centre. A pond had been paved over by a recent extension, leaving no place for migrating, maternity-loyal amphibians to spawn. “You’ll probably suffer from chronic, lifelong, low-level depression”, the counsellor claimed. I winced but jutted my chin. “Great, thanks. I don’t believe you”, I told this man.
Age sixteen. Maybe my English teacher could be a mentor? He championed me even though I sometimes fell asleep in class. “You’re so naive”, my friend told me (in our first week students had seen him stroke my arm. Odd but harmless.) “Any ideas for a career?” he asked. “Journalist?” I replied. “You're far too shy”, he laughed.
My teenage nature diary noted kingfishers courting in the tropical green glade of spring. A dozen grass snakes of varying colours, draped around a willow tree. A weasel moving squeaking kits. Hundreds of eviscerated toads: carnage! The nature notes petered out in a punky, sarcastic scrawl. But I’d already discovered that silence and serene curiosity for the wild would always be my guide.
Such skill in this piece, Jo, to write of such upsetting, unsettling encounters with this kind of...agility. That is the word that has come to me, and so i'm going to use it and then think what I mean. I mean there is an instinctive reaction in you to each of these encounters that feels like the kind of quick and sure self-protective movement we see in the natural word (where you feel safest). I'm thinking of Solnit's description of having an inside-out childhood, like Mary Oliver had too (and I did): safer and more at ease outdoors among wild things. And you choose and use dialogue to such strong effect. Always thrilled when I see your name come up in notifications and hope more Season 3 prompts move you to keep writing...
Thank you so much for continuing to provide the supportive space and feedback. Great to be among like-minded writers so intimate and comfortable with the outdoor world. Jo xx
Peter! You've joined us as a writer! Wonderful.
And what a fascinating approach you've taken to this Voices prompt. These light-sounding social comments that people around us make (and that we use too oftentimes of course) to ease life's more unsettling moments and transitions.
You've worked with light and shade here to great effect. Love it.
Here is your link, and I'm adding you to the list of A to Z contributors on the book site and also over on Substack!
https://thecureforsleep.com/voices/#petershukie
Tan x
. Loved 'accents deepened as we manhandled dark wooded heaviness'. Can just hear and see the scene, whatever accent it was!
Donna... so very glad you have joined this project because what an exquisite piece you have shared with us. It is both a very complete and concentrated statement of place and people and feeling, full of love, but with a shadow of your other home, your family one... and it at the same time feels like a voice, like a sensibility, like a story I could spend a much longer amount of time with. What draws me in so completely in the work of novelists Marilynne Robinson and the short stories of Alice Munro I feel reading this piece by you. And so all over again you are another new contributor who proves to me that my choice to offer a 300-word limit is in no way a constraint to people telling very full and rich tales. Just wow. Here is your link and I will be adding you to the A to Z lists of contributors on the book site and over on substack. I do hope you will try out other themes in the large-now archive - no deadlines, all stay open. Thank you. Tanya xx
https://thecureforsleep.com/voices/#donnamaynard
I read this too aloud to my husband and we both had tears come. It took a lot for both of us to share this story of our shared life - for all the reasons of childhood conditioning that you know about from reading the book with all the care you have. So what you've said means the world to me but also to Nye. Thank you from both of us. xx
Donna, I'm late commenting as I've only just joined, but wanted to say how much I enjoyed this piece. Your writing is so rich, with evocative detail. I like how you manage to convey the world of your own family through its contrast with the world of Mrs Eaton. A really lovely piece of writing. I'll look out for your other pieces as I trawl through the archives.
Jo! I was hoping you'd continue writing for the project after your gorgeous piece on synchronicity for the Reading issue.
And how much I love this - it has the feel of a poem: how the patterning, the rhythm, serve the point and purpose of what you are wanting to show, and say.
Do you know Ted Hughes' poem in Birthday Letters about Plath during a brief time in their marriage when she was making rag rugs? He felt her to be at ease and peace, and was relieved for her to be so... but in reading her diaries afterwards he learned 'what furies she bled into them' (I'm doing that by heart, so am getting it a bit wrong probably).
I prefer your rag rug piece...
Here is your link:
https://thecureforsleep.com/voices/#joregan
Txx
This made me want to make a rag rug, to feel the rhythm that you relay here so beautifully. I felt lulled by this piece. In such a short writing you were able to tell so much about yourself, your dad, the challenges of people throughout history and then the psychological insight. Wonderful!
Like others here who have read this, I am intrigued by the rhythm of this piece and how much you have said with so few words! A delight to read.
Tracey
Loved this! I can feel the wool scraps in my hand.
I can so relate to the soothing repetition of the rag rug making.
Oh, the messages we receive as children! The confusion of them! The stickiness! And let’s be honest, a certain reality of them. The reality of that time, place, family, a state of mind …. One message immediately springs to mind. It was a message from my dad that shaped my early years like no other. It was a meme of my childhood. It was like a sticker with no small print, or a story behind it, or an explanation.
That’s the trouble with memes, they rarely come with a context. They don’t inspire questioning and feeling around them. The message often made me freeze with fear, it kept me quiet, it kept me locked in my bedroom. But also, it kept me reading, dreaming, craving for a better and safer place to be. Ultimately it did lead me to questioning too but that was much later. And acceptance… later still. The message still haunts me and follows me around, but I can look at it with different eyes, because now I can see a bigger picture and a story behind it.
“It takes one second to make the wrong decision. That one second could ruin your whole life”. You can’t really argue with that. I just wish he realised that years of fear can also cause irreparable damage.
Elena, thank you for being the first contributor to Season Three, and with this piece of what I now see as your characteristic fierce insight and truth-to-power.
As a piece of writing, I admire how you build towards the phrase, so as a reader we understand the depth and extent of its impact. And then when it comes, yes, it is stunning in its grimly fated perspective. A heavy and hard weight for an unhappy or disappointed parent to lay onto a child with so many years ahead of them.
Your story, as I come to know more of it through these short works in the project, continues to move and unsettle me. I know there are several members of the community now who, like you, have parents in other countries, other cultures, to where they are now. I think your work here is making it easier for others to begin sharing their stories too. Thank you.
Here is your link:
https://thecureforsleep.com/voices/#elenayates
Txx
Thank you, Tanya! I’m so glad to see that this community is growing. It’s such and honour and pleasure to be a small part of it. Much love, Exx
Your part in it is not small - significant, rather. As a writer and a community member, both. xxx
🙏💕
I felt so curious reading this, just waiting to hear what the message was. "The stickiness" and "a sticker with no small print," I caught myself saying, yes, that is absolutely it, could just feel it.
Thank you, Sheila xx
Yes, Elena, I too can feel the heaviness of those words, the way they creep in under the skin, without our being able to do anything about them. So very painful. What was it like to be able to "speak" them aloud here in this safe space?
Thank you, Erica. I do believe that writing and sharing can help to lift the spell that other people, situations and experiences cast on us.
For a long time I believed I had to have been adopted, more truthfully, I wanted a different history. Perhaps I was a changeling swapped at birth in a strange hospital mix-up or left by mischievous Faery folk. I only had to look in the mirror, the curve of my face, the blue knowing eyes, to see my mother and grandmother reflected there. The truth was clear to see.
Whatever the story I told myself I did not feel that I belonged to this family, I felt so different it was hard to imagine that I was of the same bloodline. My ancestors are hardy folk, pioneers that left familiar people and places , to travel to a new world on the other side of many oceans.
These were woman, who heavily pregnant trudged through thick mud in long skirts, toddler on the hip in a strange land where there was nothing they knew as home and hearth. The men cut trees and worked many days and nights. There was always something to do and someone had to do it. Their hardworking ethic, the grim determination, is etched into my bones, handed down as a blessing and a curse.
I was a free-spirited nature child. I sang to the trees. Danced endless hours with the nature beings, both seen and unseen. I rescued injured birds and stray cats. I cried for the hurt animals and was sick at the sound of trees being felled. Not exactly a practical match for a generation's old farming family.
The unspoken family motto was “If you are not working you are not worthwhile”. Even the definition of working was narrowed by convention and conformity. The slow cold creeping mist of this legacy began to rise as I left childhood and I succumbed.
Carole, this is beautiful storytelling from you - weaving in so few words such a rich picture of generations, and then that tightening into a knot of what is considered worthwhile by them. So at odds with what in you was responding with such depth, such breadth, to the world around.
Here is your link, with my thanks for joining our project here, and with these words.
https://thecureforsleep.com/voices/#carole
I think we are already working together over on the Hagitude program? Let me know if that is not so!
And may I have a last name/pen name or initial please, as I need to make sure stories by people of the same first name are kept distinct from one another in the story archive.
Tanya xx
Yes, Tanya we have indeed meet in Hagitude. It is through that connection I have found your wonderful community and feel grateful to join you all.
My name is Carole Mahood, I am happy to use my full name.
I have so much respect & love for my ancestors who gave so much that their descendants could have a better life and I also grieve keenly for much was sacrificed and lost along the way. It is a push pull I have felt throughout my life, a see sawing on unstable ground x
Yes, that respect pulses through what you've written.
I'm so glad you have joined me here so we can keep working together after the Hagitude program finishes in September.
Here is your updated link, and your name now appears in the A to Z of contributors on the book site and over on the By Readers tab in the Substack.
xx
https://thecureforsleep.com/voices/#carolemahood
Carole, I had some of the very same wishes! I memorized every line to the movie Little Orphan Annie, and fantasized about my "real" family coming any day now to rescue me. Despite a resemblance (I told myself maybe I was my aunt's illegitimate child given to her brother and his wife to raise) this fantasy actually lasted into adulthood, when I made up some grad school project for which I needed to run our DNA through Ancestry.com. Much to my disappointment, they are in fact my actual parents.
Silence
Shush, we don’t talk about that.
I was 15 when I found out that I had a cousin living in my home town that wasn’t allowed to be mentioned. I found out about her on a dark rainy November night in a car park. My uncle ‘couldn’t keep it in his pants’ apparently. Dirty little secret. He was in the navy. ‘Likely a child in every port’ they said. There was also another son, adopted by his sister, my aunt. I grew up with him but didn’t know the truth of his father until I was an adult. Another cousin spent time inside. That wasn’t mentioned either. Shush.
Then there was Auntie Mary, who had a child out of wedlock & the child was raised as her sister. Secret after dusty cobwebbed secret.
My mum had an affair with the neighbour. Over the fence at the back of the house. I remember sitting on the blue metal swing age 9 hearing them whispering and feeling my blood run cold in shock. Shush.
Life we as knew it fell apart soon after. Dad crying on the sofa as my mum took everything.
Shush, we don’t talk about that became the motto for my childhood. A big empty space. We don’t talk about anything. A total lack of clear, guiding voices. My parents. Distant, distracted. Elsewhere.
At 50, I can unravel the empty silence. To parent myself. To talk about everything all the time.
I ask my children ‘how are you? How do you feel? What do you think? What’s important to you? What music do you like? Who are you? What would you like to be when you grow up? Are you ok? Do you need a cuddle? I love you.
So much life and pressure compressed into this by you Helen. Diamond-hard and so clear-seeing.
And then the sudden expansiveness and warmth of the last paragraph, which is how you live now and look after others.
A beautiful piece of work. Here is your link to it in the story archive:
https://thecureforsleep.com/voices/#helen
Can you let me know an initial (your own or a pseudonymous one of your choosing) that I can add to Helen please? And can you confirm that you're the same Helen who has written already for Friends, Birthdays, Reading & Gestures? Now that the number of contributors is growing, it's important I can make sure stories by people with the same first names are kept separate!
Txx
Thanks Tanya- so happy you are back with more themes & thanks for the chance to add to your archive as always - I added my middle name and yes I have written the others you mention xx
Wonderful! I thought it was the same Helen running through them - you have a distinct voice and prose style... and so the editor in me is pleased that I got that right!
I will update all your entries tomorrow and in the A to Z listing also.
Thank you again for being part of this project. xx
Here is your updated link using Helen Louise. I will do the others tomorrow!
https://thecureforsleep.com/voices/#helenlouise
Txx
I love how you start with silence then finish with so many questions which build up into I love you. Such different styles of family life!
I have been surrounded by much more than my fair share of people with very little curiosity and imagination, let alone ambition and determination. All my life I have heard that ‘it can’t be done’, ‘it’s too difficult’, ‘you won’t make it’, ‘no’, ‘no’, ‘no’. From ‘don’t take that job, the bus ride is too long’ to ‘what would you want to go to university for?’. The amount of bad (often unsolicited) advice I have been given throughout my life is astonishing. Exasperating. And the effort it has taken me to quieten these voices down and grow as someone conscious of living on a beautiful planet full of possibilities has been huge. It took me a while, but now I mostly follow my instinct and it has not failed me yet.
I will never forget a conversation I had about Revolutionary Road (the Sam Mendes film based on the wonderful novel by Richard Yates). I was discussing it with a colleague who was becoming a friend, someone I thought was one of the most adventurous people I knew. In the story, Frank and April Wheeler have a troubled marriage and he complains constantly about the dull job he has to hold to support the family; so, April comes up with a perfect, practical plan that would allow them to move to Paris, where she would support them and Frank would be free to chase his dreams. My colleague did not understand how April could think it would work out: ‘But she had it all perfectly planned!’, I can still hear myself saying in a heated tone. Frank was clearly just not up to the challenge. My almost friend and I have not spoken in years, with the exception of one Facebook interaction when someone died. Life really is too short.
Oh my! A characteristically powerful piece from you, Maria, reminding me once again why your anonymised application for mentoring spoke so directly to me that I needed to work with whoever was behind the words. And an added excitement tonight, reading your piece, as I only DAYS ago went to fetch Revolutionary Road from its place on my A to Z shelves of paperbacks to sit with other novels that I want to revisit this year because I feel they have things to teach me about the power of writing/life. Even though I've never travelled as you have, as April planned to, I felt (like you) that April's plan was perfect, and practical. But I love how Yates describes the way Frank begins to enjoy his almost accidental, careless success at work, so that it begins to exert a pull on him.
The book is shocking in its events the way some of the things that have been done and said to you are.
So it is so interesting to me, as someone who has shared a deep mentoring conversation with you, to find out now that you know this book well. We must find a way to talk again this year, if you'd like that too!
Here is your link:
https://thecureforsleep.com/voices/#mariasimoes
Txx
Thank you, Tanya! I hope I didn't come across as ruthless about other people, I'm not, it's just that I only had 300 words to play with. I love the challenge of using exactly that many words (I've set myself that challenge), and I think I've managed it so far. I would love to talk again at some point! I love Richard Yates, his short stories in Eleven Kinds of Loneliness are heartbreakingly beautiful. I hope you are well. Much love to you, your Mum and all your family. xx
No, not at all ruthless, but clear and direct in a way that makes for exciting writing that feels truthful, important.
I don't know those short stories but love the title so will treat myself for Easter!
Best holiday wishes to you - love the glimpses I get on instagram of your travels. xx
Thank you. Have a peaceful, lovely break. xx
I'm still here thinking... What an amazing coincidence you had just picked Revolutionary Road again. xx
When we talk next I will tell you about a hair-raising example - similar to this - that happened with me and much-younger-than-me editor during the second draft of the cure for sleep! Similar to this one and a blessing on the book and what I was trying to do with it. xx
We have a phrase, 'a little bit awfully too much' which is how my mother views everything, diminuitising herself and her world. To be bold and brave, adventurous and ambitious is seen as aggressive, masculine, in her book. Aren't these narratives limiting! Thank heaven for our rebellious natures that allow us to think differently
What a great phrase! Your mother sounds a lot like someone I know... It takes a lot of strength not to be crushed by our family’s view of the world.
Indeed!
The Parable of the Ladder Maker
Words make formidable fences, rising to tower above us, easily reinforced with yet more words if they prove not to be sufficiently strong.
My parents made their fences from sentences that started “People like us don’t…” and for 14 years I contentedly lived behind those fences, made secure by other words that encouraged me to ‘Work hard at school” and “Look for a good job”. I was never conscious of the contradiction at the heart of that domestic claustrophobia. I was stifled within the fences.
Until I found that beyond the fence there was the possibility of a life spent more easily outdoors. I met people who appeared not to recognise those same fences; who walked, and ran, and climbed, and swam and talked of places that existed only in my dreams. They led me to believe that words could also be used to make ladders, indeed that words were in many ways better suited to fashioning ladders than building fences. I decided to become a ladder-maker.
Suddenly discovering that they had raised a ladder-maker came as a shock to my parents. They raised their fences higher and made impassioned statements “People like us can’t have lives beyond the fence”. I challenged them, showing them my story-ladders, “I met somebody who….”, “It’s really cheap to go….” “I’m reading this book…” My challenges only seemed to provoke them, I had to acknowledge that for some reason they needed the fences that I was trying so hard to leave behind.
Finally, at 16, my story-ladders grew stronger and higher than their fences, I traded the security of their home for the uncertain freedoms of independence, knowing that when I encountered other fences, in other places, my story-ladders were always a means of escape.
I love this, Geoff. This concept of fences and ladders, yes, the child-who-was-me in a different part of the country but the same class, responded so strongly to the physicality of this - the barriers are felt as material ones, and the effort involved in getting free of them, that too requires a set of tools. Really felt for you, as I did for my mum in the stories she has told of her ambitious youth, with those phrases you've shared. So much energy going into persuading and asking permission, instead of it going straight into the adventures themselves.
And then the joy of that last paragraph. You got over and out...
Here is your link:
https://thecureforsleep.com/voices/#geoffcox
Thank you so much for continuing to be part of this project, even while you are working so hard on your memoir. It's good to have you here.
Txx
So powerful, this morphing from word fences to story ladders, your story of resistance and resilience, people who confuse confinement with protection, made me think of how I often fence myself in.
A wonderful read Geoff as I reread and nod along with it all!
So many similarities indeed.
Thank you.
Loved this, Geoff - well done for realising you could escape all that at such a young age.
My favorite line is, "my story-ladders grew stronger and higher than their fences."
Excellent writing, Geoff ... the whole idea of 'looking over the fences guarding aspiration'. Wonderful
Loved reading this Geoff. I recognise some of those phrases you mention all too well.
“Good things come in small packages,” is what my mother said when I cut Aged 4 labels off the clothes my eight-year-old self wore. I imagined myself as a rose gold ring inside a navy blue jewellery box.
My only sibling was a decade older than me. “We had to wait a long time and lost a lot of babies before you came,” explained my mother when I found her crying in bed one November afternoon. “But that’s okay because then we got you and that wouldn’t have happened if the other little girls had stayed.”
“Good things come to those who wait,” she said.
I was special, precious, adored.
Then why, in the super8 movies, does my brother glower as I dance in a kilt and a too-large tam o shanter? Why, when our parents went dancing, did he push my head down the toilet, or lock me in dark cupboards and the boot of his car? What made him tie me to a chair and spray a soda stream with such force that the wallpaper behind me dissolved?
“You’ve ruined my evening,” said my mother when I tried to report my brother’s brutality.
“I was toughening you because you were tiny” said David years later when I’d learned to fight with words, and he had his own family to control.
“We wanted lots of children,” said my dad as we watched the news in his room in Harbour House. They were covering the Bristol Royal Hospital’s baby death scandal and it had made him cry, remembering Sally-Anne, the still-born that had lasted the longest of all their lost babies.
“But we told you we only wanted a boy and a girl.
To make you feel wanted. To give you confidence.
To make you feel better”
Rosalyn... what a stunning first contribution from you, and I so hope it won't be the last, and that themes from the previous two seasons might tempt you to write as well (as stay open without deadlines).
You've shown how much can be done in 300 words: a complex family story rendered with such painful love and honesty in all its complexity. I think it takes real courage and skill to tell a true story in this way.
Here is your link to the piece in the archive, and I've already added you to the A to Z lists of contributors on both the book site and on substack.
https://thecureforsleep.com/voices/#rosalynhuxley
Thank you again for joining us here, and I hope you will stay!
Tanya xx
Thank you Tanya, very encouraging. Yesterday, after posting this, i went to a poetry reading in my local bookshop and someone read an idiom poem. I had not heard of this before but loved the idea. In case you haven't either, I will share it here. You take three or four idioms or sayings that you like, or that speak to you and then write a poem using ONLY THOSE WORDS. In any order or as many times as you like. I am going to thy it with the two that I mention here plus one of my mother's other favourite mantras...which was "All that glitters is not gold" PS. I loved your book and have been pressing it onto friends since I read it last month. Expect a HUGE increase in sales from the south west!
That's a fascinating exercise - I will try! Thank you for sharing it onwards.
And so touched by your words about the book, and your generosity in recommending it to others. That's exactly what I told my editor I wanted to try and write - a book that women would recommend to their friends and family. A thing passed from hand to hand, just as I came to Mary Oliver's poems through a friend, and she from a friend before that...
So glad you've joined the project. I love how you write. xx
Gripping writing, the ability to show us so much from your life in such a short piece, not sure if I know just how to say this but the layout of the writing, the pacing, the quotes seem so carefully and well chosen for this writing.
“Where’s the other 3%?” I was asked. I’d just got 97% on my maths exam – I can’t remember if it was a particularly important exam, but even if it wasn’t, I was so proud. I couldn’t wait to tell him. It still makes my eyes prickle, over 30 years on. I wasn’t good enough. And that started it – or maybe it didn’t, maybe it had started earlier. Actually, definitely.
Two fathers, this from was my stepfather who lived with us; my real father lived with my stepfather’s family. Unusual to swop fathers with a best friend, but that is what happened when we were little. Two fathers, two families each with two children. Hearing how great the other two children were, how talented, sporty, musical, academic – hearing their achievements both from my father when he visited, and from my stepfather when he returned from his visit, the same night. In hearing how amazing the other children were, I heard how I was not.
It didn’t occur to wonder then, but I do wonder more recently - if the other children heard the same about me & my sister. Received and internalised the same message. We don’t have a relationship with the living other child to ask; and the best friend died relatively recently, no longer a friend for many years before that. I believe she felt as I did though. The father died long ago. The stepfather has revealed so much grief, loss and trauma it makes me ache for him.
So there won’t be apologies from either of them, but I have eventually found forgiveness anyway. For these fathers, for all of us children. Maybe we all got things wrong. But maybe, actually definitely, we were all always good enough.
Oh Becs! What a dynamic. How complicated and unnerving that must have been for you and all other children. It made me think how often a childhood becomes a puzzle for a grown-up child to solve later. To evaluate what was fake and what was real. Those who are not curious enough to go into it will probably carry on with the same pattern for their own children. Those who examine their past might swing to another extreme and overcompensate if not careful enough. You beautiful piece just underlines the importance of being real and not getting caught up with a current trend whatever it might be xx
Thank you Elena. And reading your piece - gosh, it resonates for the same reasons doesn't it? For both of us, I'm sure the messages were meant with love, with encouragement, but what puzzles for us to unravel and solve. With love x
Becs - what a compelling story you have shared with us here. The circumstances are extraordinary and won't be shared by many people** and yet I know that the way you were spoken to, and how you had to listen to the praises of others being sung: this is sadly so common, in my experience as a story-gatherer. I wish I could say that the people I worked with at end of life had been able to reach the kind perspective you have in your last sentences here, but I don't think many do.
A beautiful piece of writing - and unless my record-keeping has gone awry, I think it is your first piece for the project? I hope you will be tempted to try others (all themes stay open without deadilne). I've listed you as Becs B currently, but I'd love to add your full name or a pseudonym last name of your choosing...
Here is your link:
https://thecureforsleep.com/voices/#becsb
Txx
(** although I did have a best friend whose parents swopped partners in this way, and your fine piece makes me wish I'd thought more about their experience when they were in my life: I was so focussed on being estranged from my father that I think I saw anyone with access still to both their parents simply fortunate. Chastened by this hindsight caused by your words...)
Thank you so much, Tanya. Your records are right - it is my first piece; having read your book when recovering from a surgery a few months ago, I have been waiting to join this community in real-time... I have given myself a pseudonym surname (a beloved cat!).
I loved your memoir very much and have been recommending it to so many friends. I do enjoy reading about other people's diverse real lives, though it often causes me to re-see the experience of someone I knew and reflect on whether I realised what they were going through at the time - and conclude mostly, probably not! I hope self-compassion accompanies any chastening for you. With love x
Thank you so much for reading my book - touched to think of it keeping you company in that post-surgery time that I found so strange and alien when I experienced it. I always hoped it would be the kind of story that readers would want to tell their friends and family about - as I share word of books that change my way of seeing.
Here is your updated link:
https://thecureforsleep.com/voices/#becsmackenzie
I think you have an exciting way of writing personal experience and hope to read more by you.
Txx
Longing makes the early bird wake to sing the light into being, to sing for territory, to sing for a mate, also to kill the worm. Birds long for the north and then the south. Women often long to be birds. My great grandma saw yellow finches after her stroke. My grandma never had a bird feeder, too much mess, brings mice, can’t be bothered, your pap will get upset. My mom arranged ceramic birds in a curio. They told me I held the promise of change. No one knew the disruption it would create. I once saw a hawk swoop down and snatch a sparrow, at night I hear the begging call of the great horned owl.
Monique, Thank you for such a lovely response. I love the image of the ballsy robin and the sweetness of you baking for them. Fascinating how much joy watching birds can bring us and from your writings here, I am not surprised that you identify with them. So grateful! xxx
Jo, Thank you. It is always interesting to see what show up! xx
Oh wow, what a beautiful and extremely interesting read Shelia! Each sentence holds so much!
Thank you for sharing
Tracey x
Tracey, As always, thank you. So glad you enjoyed it! xx
Sheila! I didn't see this initially as it came through among lots of wonderful ones from other subscribers to you about your work! (Good reason for missing it though!).
This reads and hits hard for me like some of Sharon Olds and Oliver's poems too - and I read it like a poem.
https://thecureforsleep.com/voices/#sheilaknell
Now. Have you seen a new Substack I'm recommending on here? Unpsychology Voices? It's editor Steve was one of the first people to take work from me - a print edition and a fiction version of what 5 years later become The Weather House chapter in The Cure for Sleep. I admire him and his work immensely, and I feel strongly that you would enjoy publishing work with Unpsychology - reaching new readers for your words.
Take a look and if you're interested, I'm very happy to speak of you and your work to Steve so that it's easier for you to make a first approach to him...
Txxx
Tanya, this blew me away...had trouble concentrating at work today! I've taken a look at what he's doing with Unpsychology Voices, reminds me somewhat of Emergence Magazine. I was struck by the quote from Alice Walker he used in the first issue “In each of us, there is a little voice that knows exactly which way to go” and was thinking of Poe's the Imp of the Perverse and how that is the human condition, the knowing of which way to go and at times the impossibility of going there, always that other voice. It would be amazing to have something published there. Hard to describe the gratitude I feel for this whole project of yours. Just amazing....xxx
I really think you should just send a message to Steve, Sheila, saying that you are one of the main contributors to my project here, and that I had an instinct you could contribute something valuable to Steve's publication - particularly given you have an American perspective...
Will you let me know if you do and how it goes? He is the most approachable of editors. Rather than write something laboriously and send it him cold, I risked messaging to ask what type of thing he might take from me. He was short on fiction for the issue I went for, so I wrote a story for it after our exchange!
xxx
Sheila, I love this, how you say women often long to be birds, how birds figure through your maternal line, how you bring the hawks and owls, re-instating live bird power to what had dwindled from finches to ceramics. You are singing the "light into being" in both directions for your female line.
Thank you for that! It made me think of the writing differently as I’m not sure my mom and grandma would describe it that way, but I did want the light for them and definitely see it moving forward in my daughter. Just love this space and how much it makes me think deeper…xxx
Me too! Hugs!
Yes, well, but you didn’t top all the subjects.
You’ve won the prize! Straighten your hair up before you go on stage.
How will anyone ever know how smart you are if you only study arts?
And so, every success was a failure and nothing that I did was ever good enough. I was never good enough.
Staring out the window, staring through the pages of a book, staring at the screen. All these ways to be seen to be absorbed in work, in study, in thought. I learned early on that if you appeared to be a certain way then you could fool people into believing it to be so. In the fourth grade, my eyes riveted to an Ancient Egyptian documentary, in part captivated but also knowing that adopting this posture would earn me points, would cement myself in the eyes of the teacher as a serious student. In the high school quadrangle, I would pull out my serious-looking hardback black notebook with the red corners and set to furious scribbling. I would carry my Norton Anthology of Literature face out in my arms as I walked the university campus.
Always with her head in a book; she must be so smart!
You’d think so, wouldn't you?
But in fooling people, I also fooled myself. So I believed that if I only read enough books, studied harder and longer than anyone else, achieved all those top scores, then yes, wasn’t I smart? Wasn’t I worthy? Wasn’t I of value?
I was playing a part and it was exhausting. To this day, I no longer know whether I am being myself or being what I think it is that others want me to be. Actually, that’s a lie. I know - I'm just too scared to drop the facade.
Emily Tamas
Emily, this is fierce and fiercely honest writing from you. You use the word limit to compress a whole lifetime of internal and external pressures into form, into story.
Such painful recognition and fellow feeling from me: this is what I did too. And it's only since I published my book last year that I feel able to walk around in the world now without a book or a diary always with me, as visible signifiers/proof/shield. The first day I sat on a train and simply looked out the window - not needing to 'look' like a bookish person - this everyday normal way of being for most people in the world - it felt so wild, so free. And while I still have a library of books shelved A to Z in my living room, I'm thinning them radically to keep only what I feel are books that I love or that I will refer to in my teaching or that my children may one day ask for (as my teen daughter has now discovered a love of Greek plays, so that she is asking for ones I only was forced to read for my degree).
'I was playing a part and it was exhausting.' How much I hope to get glimpses of your onward journey out from this through what you write here in the project.
Do you know Ferrante's Neopolitan Quartet? I first read the pre-publication in 2015 when carrying books about always was my only way of showing people what I most cared about. To read them now is powerful in a different way. One of the two main working-class characters in it manages through effort and some circumstance to study her way out from her dangerous part of Naples. To move in a different world. But how well she describes the cost of that, and how it is both authentic and also a sort of necessary costume that one can't then exist outside of...
Here is the link to you latest piece. Thank you again for sharing it.
https://thecureforsleep.com/voices/#emilytamas
Txx
Thank you, Tanya. There is great comfort and solidarity in your words and I am grateful for them. I began the Neapolitan Quartet years ago but only read Book 1 - just ducked into the bookstore this afternoon and bought the next two and will begin again. Ferrante's writing both compels me and agitates me, particularly the fiction. Will read with different eyes this time. I am currently rereading your book and it compels and agitates me as well. You have great courage and strength to allow yourself to step outside the expectations of others in order to do what is necessary for you and I am so glad you wrote your story - it shines a light. Xx
Emily... your reading of my book and what you say here means a lot. And it's a real privilege to curate your stories here in the project. xx
"But in fooling people, I also fooled myself. So I believed that if I only read enough books, studied harder and longer than anyone else, achieved all those top scores, then yes, wasn’t I smart? Wasn’t I worthy? Wasn’t I of value?"
Wow. Emily, I can so relate to this. Profound, deep, honest and self effacing writing here. I'm feeling very inspired by you.
Thank you, Olivia - am feeling comforted that it resonated with you 🙏✨
Emily, this really got me in the gut. I struggle with being myself and wearing the facade. It is exhausting. A coping behavior for so long I am not sure how to drop it & who I will meet in the ashes. I am willing to give it a go though, I am curious, perhaps I will surprise myself. Thank you for honest insight.
Thank you Carole. Hopefully our curiosity will astound both of us and the exhaustion will lift. x
My father was a big man ; a nineteen twenties man, an out of wedlock man who shone with a harsh light. A price tag hung around his neck that displayed his worth. A birth certificate name missing man - who turned into a disapproving man. The poem I presented to him aged sixteen never reached his consciousness; it broke apart and blew away in his huff! of disapproving breath. He was a sabotaged man - a branded man.
I lived for the gentler strokes of education which opened up avenues of possibilities; helped me to rationalise and dismantle the harmful scaffolding I was building up inside. Gave me the strength in later years to wrap up my father in forgiveness as time wore him down and mellowed his malice.
I journeyed through acts of healing; felt the flow of voices piercing my adolescent weaknesses. I sifted through tangled feelings and the unvarnished response of others. The weight and gravity of choices emptied out a version of me.
The metalwork teacher forged a haven in his workshop at school; that wise old scroller of steel fed me a dialogue of support and understanding. I hit the anvil hard- beat out life's rhythm, shaping steel and skin. " Hit it harder!" he cried, " it's the wrong shape." I was hitting it harder but from the inside- hammering out my imperfections- trying to harden my resolve.
The price of battling disapproval and bending the knee de-stabilized me; deepened my resentments and internalised an un-keeled form of me; but the soft skim of a girlfriend's smile gave this libran some balance; softened the brittleness crystallising within. The snatcher of smiles threw me into uncertainty and I veered into the unknown only to be rescued by loving hands. I witnessed and I was in my turn witnessed.
Steve, I hope one day to be holding a book by you, because I have such a thirst for these stories from male experience that disrupt and deepen the stock of narratives written by men. Whenever I read you - even though your prose style is so wholly your own - I think too of Lawrence, of Williams' Stoner. Books about men who have a deep connection to production, to work, but have deep natural/spiritual knowledge too.
I've read this several times for the rhythm, for the beauty. Thank you. Txx
https://thecureforsleep.com/voices/#steveharrison
Such a lushness of visceral verbs, Steve...Jarring at first--"A price tag hung around his neck ... a sabotaged man"--and then the paradoxical surprise of a "Hit it harder!" metalwork teacher who forged a haven for you...and coming to rest in the embrace of shared witness.
Thank you.
Always so happy - and grateful - when new subscribers not only write for the project, but take the time to read the archive and respond to other storytellers. Thank you Catherine. Steve isn't often online but I know he will be thrilled to feel himself read by you.
I call them ‘Boo Radley’s porch’ moments.
If you’ve read Harper Lee’s ‘To Kill a Mockingbird’, then recall that passage two pages from its close. It moved me when I first read it. Scout, nine years old, walks alongside Boo Radley to his home after the harrowing events that end the novel. Boo slips inside, but Scout remains on his porch, and looks. For the first time, she sees her town – its folk, their quirks and lives – as Boo does. Boo – reviled for no reason other than his difference – has sat there all those years, watching his neighbours with fondness, not hate. Scout’s understanding blossoms; she steps into Boo’s shoes.
I recall an English lesson at school, discussing Andrew Marvell’s poem ‘To His Coy Mistress’, in which Marvell exhorts his virginal love to embark on a passionate love affair together. Our feared English teacher – stiff, unlaughing, tightly permed – made us read the poem aloud. How embarrassing for us teenage girls!
We finished, fidgeting, mortified. Then our teacher asked that question. “So, if Marvell had written this poem for you, what would you do?” My pen clattered to the floor. Someone giggled. No-one answered. “Well,” she said, clearly irritated, “I’d have been bowled over.”
Later, I told my mother how horrified we had been. I will never forget her gentle remonstration in explaining our teacher had once been engaged, but her fiancé died fighting in the Second World War. She had never met anyone else.
So, my understanding blossomed as I found myself on Boo Radley’s porch, seeing my teacher’s inner life glistening beneath her stern exterior: her griefs, joys, her ability to be bowled over by a poet’s words. I had misjudged her, and I was ashamed.
Funny, looking back, she became my favourite teacher.
So so exciting to get another piece through from you Amanda, because you tree piece for the Gestures one was - as I think I told you - one that I rushed to read aloud to my husband. And your words and insight have moved me to it again - I just carried my precious computer down the treacherous basement stairs because I had to read it aloud straightaway. But of course, before I got to the last lines, my voice had already caught and tears had come. Just as happened with your other piece. That's a real gift, as a writer, as you must know, given the book you've invoked. That ability to surprise sudden tears and new understanding in a reader.
Just beautiful work, and it's a privilege to curate it. Here is your latest link:
https://thecureforsleep.com/voices/#amandascott
And now I'm going to fetch TKAMB off my shelf to read those last pages again - so many years after I last read the book. Thank you - twiceover. Txxx
Ah, thank you for those kind words, Tanya. I really appreciate it, and now I have that picture in my head of you negotiating the basement stairs, clutching your computer! Thank you so much for your creative support and encouragement. After I posted the piece, I sat and thought for a bit, as I realised I couldn't remember which came first, the English lesson or reading TKAMB, but what I learned from them is completely intertwined in my memory. Time's a curious thing, I guess, as we bring together separate things later on. Thank you x
Thanks again for your support Tanya and encouragement on this creative journey.
I contacted MagNorth as you suggested and I explained who I was. Colin was interested in an idea I had for for a 700 word piece about Holloways in the Calder Valley. I will let you know how that goes.
Steve xx
Steve! What wonderful news. I'm so glad you reached out as I feel passionately that your work needs to reach readers - and although this community is now growing fast now and is also very active, each reading one another, I want contributors to also move out into other journals/projects too. Do take a look at the wonderful Unpsychology Voices on here too - Steve was my first editor who took a story from me; one I only wrote after nervously being in touch to ask if there was any type of material he'd be interested to see from me. Always feel free when approaching other people to say you were one of my Ilkley mentees and use links to any/all of your pieces here as ways to show what you can do. xxx
Hi Tanya, thanks again for all your advice and encouragement. I needed to put to one side my creative writing because my brother Michael passed away a week ago. Been a sad time. I am now working on a eulogy to read out at his funeral at the end of the month. I want it to ring out as a celebration of his life. A dance with words to colour in the shape of his life.
My brother gave a name to his tumour. He called it Harry and he wanted me to write about the way the tumour was changing the way he was perceiving life and the impact on his behaviour. A strange request indeed. I ran various ideas through my mind and it crystallized into a seven stanza poem/ rap that is brash and undisguised in it's forceful attack on an unrelenting tumour.
I hope you don't mind me sharing this with you. It is all about words, stories and feelings that shapes everything.
Steve. xxx
Oh Steve. My heart goes out to you. An honour but also a huge responsibility for you to give your brother's eulogy - and from knowing your work here, I know you will have done what you promised yourself & him you'd do: a dance with words to colour in the shape of his life. (What a beautiful thing to do for another soul). Perhaps you'd let me see those seven stanzas by email one day - I'd be honoured to read if it was ever something you feel able to share beyond your close circle who attended that day. xxx
Half a glass of red was enough for the words to pour. "You'll never amount to anything, being so shy". Said to the thirteen year old with a snarl that left her silently weeping as he topped up.
Shame, branded on my cheeks, flared up across the decades. I later implored my NHS counsellor to turn the harsh lamp away from me. Trapped in a tiny room at the back of the village health centre I was distracted by toads smearing the windowpane with muddy webbed feet. They reminded me of Catherine’s tormented spirit at the window in Wuthering Heights. I got the giggles observing us, two adult strangers in the room. He mentioned his daughters, his ex-wife. Confusing.
In retrospect I feel sad. There was a ghost at the health centre. A pond had been paved over by a recent extension, leaving no place for migrating, maternity-loyal amphibians to spawn. “You’ll probably suffer from chronic, lifelong, low-level depression”, the counsellor claimed. I winced but jutted my chin. “Great, thanks. I don’t believe you”, I told this man.
Age sixteen. Maybe my English teacher could be a mentor? He championed me even though I sometimes fell asleep in class. “You’re so naive”, my friend told me (in our first week students had seen him stroke my arm. Odd but harmless.) “Any ideas for a career?” he asked. “Journalist?” I replied. “You're far too shy”, he laughed.
My teenage nature diary noted kingfishers courting in the tropical green glade of spring. A dozen grass snakes of varying colours, draped around a willow tree. A weasel moving squeaking kits. Hundreds of eviscerated toads: carnage! The nature notes petered out in a punky, sarcastic scrawl. But I’d already discovered that silence and serene curiosity for the wild would always be my guide.
Such skill in this piece, Jo, to write of such upsetting, unsettling encounters with this kind of...agility. That is the word that has come to me, and so i'm going to use it and then think what I mean. I mean there is an instinctive reaction in you to each of these encounters that feels like the kind of quick and sure self-protective movement we see in the natural word (where you feel safest). I'm thinking of Solnit's description of having an inside-out childhood, like Mary Oliver had too (and I did): safer and more at ease outdoors among wild things. And you choose and use dialogue to such strong effect. Always thrilled when I see your name come up in notifications and hope more Season 3 prompts move you to keep writing...
here is your link:
https://thecureforsleep.com/voices/#josinclair
Txx
Thank you so much for continuing to provide the supportive space and feedback. Great to be among like-minded writers so intimate and comfortable with the outdoor world. Jo xx
Only just read this today, as was looking through Tanya's archive. Beautifully rendered. Thanks for sharing.
Thank you Sharon.